- 900
張曉剛 紅嬰 油畫畫布 二〇〇〇年作
估價
3,200,000 - 4,000,000 HKD
招標截止
描述
- Zhang Xiaogang
- signed in Chinese and Pinyin and dated 2000
- oil on canvas
款識
張曉剛，Zhang Xiaogang，2000
來源
美國私人收藏
Condition
This work is generally in good condition. There is pinpoint accretion on the surface. Please note that it was not examined under ultraviolet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
「張曉剛持續家長與孩子、丈夫與妻子、兄弟與姐妹、姐妹與兄弟之間的特殊關係進行研究。這些畫作的色調柔和協調，人物造型相似，迷離的雙眼合著淚水，讓觀者不期然在這又圓又大的眼睛中期望找到自己的倒影。服裝、圍巾及衣領的含蓄處理，讓人的注意力留在表情豐富而強烈的面部表情。張曉剛沒有放棄文革帶來的熟悉風格。反之，藝術家一直在摸索這段歷史對他童年的影響，故此，文革一直成為他必要的繪畫元素。」
- 摘自凱倫史密斯, Nine Lives: The Birth of Avant-Garde Art in New China: The Updated Edition