- 61
約翰·詹伯林
估價
700,000 - 1,000,000 USD
Log in to view results
招標截止
描述
- John Chamberlain
- 《超級 Yahoo》
- 鍍鋅鋼
- 59 1/4 x 54 x 39英寸；150.5 x 137.2 x 99公分
- 作於1967年。 Photo by: Sarah Harper Gifford / Courtesy Pace Gallery © 2012 John Chamberlain /Artists Rights Society (ARS), New
來源
Michael Ruskin, New York (acquired in 1967)
Neil Williams, Sagaponack, New York (acquired in 1982)
Collection of the artist
PaceWildenstein, New York
Private Collection, San Francisco
Pace Gallery, New York
Private Collection, Columbus, Ohio
Neil Williams, Sagaponack, New York (acquired in 1982)
Collection of the artist
PaceWildenstein, New York
Private Collection, San Francisco
Pace Gallery, New York
Private Collection, Columbus, Ohio
展覽
New York, Anne Plumb Gallery, Silver, November - December 1985
New York, PaceWildenstein, Group Exhibition, February - March 2000
Los Angeles, Museum of Contemporary Art, A Minimal Future? Art as Object 1958–1968, March - August 2004, p. 187, illustrated
New York, L & M Arts, John Chamberlain: Early Years, May - June 2009, pp. 47-8, illustrated in color
New York, PaceWildenstein, Group Exhibition, February - March 2000
Los Angeles, Museum of Contemporary Art, A Minimal Future? Art as Object 1958–1968, March - August 2004, p. 187, illustrated
New York, L & M Arts, John Chamberlain: Early Years, May - June 2009, pp. 47-8, illustrated in color
出版
Julie Sylvester, John Chamberlain: A Catalogue Raisonné of the Sculpture 1954–1985, New York, 1986, cat. no. 304, p. 101, illustrated
Condition
This sculpture is in very good condition. The various welds appear to be intact and the welds in the upper portion have been retouched with gray pigment to better match the tone of the galvanized steel. Along the bottom edge of the sculpture, there are also two areas of retouching with the same gray pigment, located in a folded triangular shape (measuring 16 in. wide by 6 ½ in. deep) on the back side as illustrated and a smaller area on the front side as illustrated in the catalogue. The welds in the lower section are not retouched with gray pigment and are a darker, brownish weld material, surrounded by the halo that is inherent to the welding process. Also on the lower section, there are a few white spots scattered overall which appear to be white paint. There are also faint ghost-like traces of long aqueous drips on the lower section, primarily on the reverse as illustrated in the catalogue.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
For several years, Ultra Yahoo was displayed at Max's Kansas City, a nightclub and restaurant on Park Avenue South in New York City. Mickey Ruskin, the first owner of this work, opened the club in December 1965. John Chamberlain was among the artists, musicians and writers who gathered regularly at Max's Kansas City in the 1960s and 1970s.