史蒂芬‧帕林諾

Acquired directly from the artist by the present owner in 1997

Colour:The colours in the catalogue illustration are fairly accurate, although the blue is slightly lighter in the original. Condition: This work is in very good condition. No restoration is apparent under ultra violet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

"When I started making paintings, the word on painting was "PAINTING IS DEAD." I saw this as an interesting place for painting... death can be refreshing, so I started engaging in necrophilia..... Approaching history in the same way that Dr. Frankenstein approaches body parts... Nature Morte... my contemporaries were NO WAVERS... BLACK FLAG-ERS... and this death painting thing led to a sex and death painting thing... that became an existence thing... that became a "Cease to Exist" thing... A kind of post-punk existentialism. I am still concerned with "art about art", but I am also aware that "art about art" still reflects the time in which it was made. Content is not denied... Content is not obvious... Content is sustained in the air or the vibe of the work."
(Steven Parrino, The No Texts, Jersey City 2003, p. 43)