- 527
伍澤樞 故鄉偶憶 油彩畫布
估價
80,000 - 120,000 HKD
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招標截止
描述
- David Wu Ject-Key
- oil on canvas
款識：
伍澤樞 D. WU JECT-KEY 藝術家鈐印（左下）
伍澤樞 D. WU JECT-KEY 藝術家鈐印（左下）
來源
美國重要私人收藏
Condition
This work is overall in very good condition. The canvas is relined with wax adhesive. There are abrasions along the borders. There are slight creases across the surface.
There is no sign of restoration under UV light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
故鄉偶憶
《故鄉偶憶》是一幅滿載伍澤樞個人情感的作品。伍氏自12歲遠赴美加，此後不曾返回故鄉廣東，故國的一切對他而言，都只存在記憶之中。在此作裡，人們養雞曬脯，編藤抽煙，女人挽髻大襖，男人薙髮留辮，呈現一副清代的人文造型，明顯不是畫家創作時的生活景象，而是藝術家腦海回憶的重現。美加地區不論是鄉村抑或城市，風景俱迥異於中國，他不觸景而能生情，生情而能寫實如斯，相信他展現的是從故鄉印象中重新組合而成的生活片段。在空間處理上，作品的整個背景為一堵巨大的白牆所佔據，前方栽種了三組竹樹，而作為主角的人們，則夾於兩者之間，給觀眾一種若即若離的感覺；為了營造作品的空間感，伍澤樞刻意在畫面右側，展現遠處白牆藍瓦的一列小屋，加上一個持盤現身的村民，讓觀眾想像牆後還有更廣袤的一片村莊。
《故鄉偶憶》在內容上顯示了與中國嶺南文化的淵源，在技巧上則吸收了十九世紀巴比松畫派（Babizon School）的藝術精神，企圖在鄉郊村落之中提取美感，透過小人物的生活片段呈現本國的文化風情，並以學院派精緻準確的繪畫技巧表現。法國的柯羅(Corot)和杜比尼(Daubigny)等藝術家，在許多鄉間寫生的作品當中，把農村活動記錄下來，對於當時以歌頌政治、宗教、歷史為偉大的藝術界帶來震撼，成為印象派的先軀。而伍澤樞在此所展現的思古之情，實乃中西兼備。
《故鄉偶憶》是一幅滿載伍澤樞個人情感的作品。伍氏自12歲遠赴美加，此後不曾返回故鄉廣東，故國的一切對他而言，都只存在記憶之中。在此作裡，人們養雞曬脯，編藤抽煙，女人挽髻大襖，男人薙髮留辮，呈現一副清代的人文造型，明顯不是畫家創作時的生活景象，而是藝術家腦海回憶的重現。美加地區不論是鄉村抑或城市，風景俱迥異於中國，他不觸景而能生情，生情而能寫實如斯，相信他展現的是從故鄉印象中重新組合而成的生活片段。在空間處理上，作品的整個背景為一堵巨大的白牆所佔據，前方栽種了三組竹樹，而作為主角的人們，則夾於兩者之間，給觀眾一種若即若離的感覺；為了營造作品的空間感，伍澤樞刻意在畫面右側，展現遠處白牆藍瓦的一列小屋，加上一個持盤現身的村民，讓觀眾想像牆後還有更廣袤的一片村莊。
《故鄉偶憶》在內容上顯示了與中國嶺南文化的淵源，在技巧上則吸收了十九世紀巴比松畫派（Babizon School）的藝術精神，企圖在鄉郊村落之中提取美感，透過小人物的生活片段呈現本國的文化風情，並以學院派精緻準確的繪畫技巧表現。法國的柯羅(Corot)和杜比尼(Daubigny)等藝術家，在許多鄉間寫生的作品當中，把農村活動記錄下來，對於當時以歌頌政治、宗教、歷史為偉大的藝術界帶來震撼，成為印象派的先軀。而伍澤樞在此所展現的思古之情，實乃中西兼備。