Rolando Ventura

The painting is in good condition, as is the canvas, which is clear and taut. Minor indications of wear and handling around the edges, corners and margins are evident but are unobtrusive. The paint layers are well-preserved and are in stable condition. Examination under ultraviolet light reveals no indication of retouching. Unframed, on stretcher.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Olan Ventura reverses the approach to the timeless strategy of telling a story through portraiture — literally. See, Olan works with the negative imagery: the total inversion of a positive image. This reversal works on both the literal and metaphorical level, allowing viewers to see the inverted colors as well as to imagine an entire value system turned upon its head. The subversive aspect of his artistic approach cannot be emphasized enough. And Olan chose as subjects two iconic figures in world history: Andy Warhol and Albert Einstein, representing the realms of Art and Science. Two figures that have turned their respective fields upon their heads. Two figures portrayed to death on the canvases of pop culture. Warhol changed what came before him. So did Einstein. By choosing these subjects, Olan subverts the iconography, presenting a different dimension to two familiar faces. Portraiture is not dead — so goes Olan Ventura's philosophy — as long as an artist finds news ways of portraying the always-portrayed. Consider it a new way of seeing.