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A RARE LONGQUAN CELADON DOUBLE-GOURD VASE YUAN / MING DYNASTY, 14TH CENTURY
描述
來源
Tokyo Bijutsu Club, Tokyo, 1934, lot 168.
Sotheby's Hong Kong, 2nd May 2005, lot 676.
出版
Regina Krahl, Chinese Ceramics from the Meiyintang Collection, London, 1994-2010, vol. 4, no. 1607.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
Gourd-shaped vases are surprisingly rare among the rich production of the many celadon kilns located in and around Longquan county in Zhejiang province. A slightly smaller vase of this form attributed to the Yuan dynasty, the base equally having a recessed centre, was excavated from a hoard discovered during building works at Baihuo commune, Qingtian county, Zhejiang province, and is now with the Qingtian County Cultural Relics Management Committee. Undoubtedly due to its beauty as well as its rarity, this vase has been frequently published, for example, in Zhu Boqian, Longquan yao qingci/Celadons from Longquan Kilns, Taibei, 1998, pl. 154 (fig. 0); in Zhongguo Longquan qingci/Longquan Celadon of China, Hangzhou, 1998, pl. 124 and on the title page; and in Zhongguo taoci quanji [Complete series on Chinese ceramics], Shanghai, 1999-2000, vol. 10, pl. 35. Another vase of this form is illustrated in Sōgyō Shichijūnen Kinen Ryūsen Shūhō/Mayuyama, Seventy Years, Tokyo, 1976, vol. 1, pl. 484.