T aking place live in Paris on 21 October 2020, the Modernités Evening Sale presents a curated selection of works by world-renowned artists, from the emergence of the European avant-garde to the Post-War period. This season, the sale presents 25 remarkable artworks from a private collection including a wartime portrait by Pablo Picasso, a landscape by Yves Tanguy, and works by Max Ernst, Alberto Giacometti, Joan Miró, Jean Dubuffet and Fernando Botero among others.
Alongside this collection Modernités also presents a selection of highly significant artworks by other key 20th-century artists, including a masterful “Transparency” by Francis Picabia, a rare 1923 composition by Paul Klee, a 1938 surrealist canvas by Roberto Matta and superb works by Zao Wou-Ki and Daniel Buren.
The auction will take place alongside the Contemporary Art Evening Auction in London in Sotheby’s third livestream auction event, “Modernités / Contemporary”. Developing the livestream auction model pioneered by the company in this summer’s marquee sales in New York and London, the auctions present defining moments of the 20th and 21st centuries through artworks by the greatest artists working in Europe and beyond.
Caroline de Maigret Explores the Creative Spirit of Paris and London
Featured Highlights
The Hidden Masterworks within Picabia’s Transparencies
The works presented in the wonderful collection “A Modern Eye” echo the discerning taste of a private collector who starting in the 1980s’ assiduously frequented both prestigious galleries and auction houses. The result is a group of paintings, drawings, and sculptures of the utmost quality that span the 20th century.
The collector’s subtle and sophisticated eye brings the viewer from a 1919 Dadaist work by Max Ernst to a masterful Forêt from his surrealist period and leads up to an exquisite dreamscape by Yves Tanguy. These in turn contrast with works by Modernist, Expressionist and Avant-Garde masters from Paul Klee to Heinrich Campendonk via Wassily Kandinsky and Die Brücke.
One of the key works, presiding over the whole, is a powerful wartime portrait by Picasso painted in Royan in 1940, whose tremendous force is evocative of the artist’s lifelong connection with the Minotaure and foreshadows the later explorations of the limits of portraiture by painters such as Francis Bacon. The collection also reaches into the Postwar period with a stunning oil by Jean Dubuffet and a marble by Fernando Botero confirming the varied yet sharply assured taste that governs this ensemble.
Highlights from Un Regard Moderne
- 1909, Picasso
- 1923, Klee
- 1929, Picabia
- 1938, Matta
- 1940, Picasso
- 1954, Miró
- 1961, Shiraga
- 1966, Buren
- 1975, Soulages
-
PABLO PICASSO | TÊTE D’HOMMEExecuted at the beginning of 1909, Tête d’homme is emblematic of the last works created by Picasso in his Bateau-Lavoir studio. The aesthetic of this works is marked by more diverse influences, especially Cézanne’s teachings and Braque landscapes. Picasso’s proximity to Braque and the influence of Cézanne’s palette are evident in the chromatics of the present work, where the colours are reduced to a palette of greys, beiges and browns. The influence of tribal art on Tête d’homme is no less significant, as shown by the stylized features of the face which echo several masks that Picasso kept in his Bateau-Lavoir studio.
View Lot -
PAUL KLEE | VILLEN (VERSINKENDE) UND BARACKEN (AUFSTEIGENDE)Villen und Baracken is a masterful work by Paul Klee which combines various techniques. Painted in 1923, when Klee was teaching at the Bauhaus, this large canvas is revealing of the artist’s concern with the relation between painting and architecture. Klee bases his composition on a combination of geometric shapes and while the subject, city and barracks, is still discernible it tends towards an abstraction characteristic of the artist.
View Lot -
FRANCIS PICABIA | MINOSPainted in 1929, Minos was commissioned by Francis Picabia’s friend and dealer Léonce Rosenberg. This Transparency is one of the most impressive ever painted by the artist. First exhibited in 1930 during the first Picabia retrospective at the gallery L’Effort Moderne, it is emblematic of the complex technique and iconography that characterize the Transparencies series. Among the numerous sources, the central seated figure is inspired by a Roman marble, Augustus as Jupiter Capitolinus, and the faces and hands taken from Boticelli’s Virgin with five Angels.
View Lot -
ROBERTO MATTA | MORPHOLOGIE PSYCHOLOGIQUE DE L'ANGOISSE (LA VEILLE DE LA MORT)Painted in 1938, Morphologie psychologique de l’Angoisse (La Veille de la Mort) is one of the most sophisticated Matta’s psychological morphologies, a series which reveals what lies beyond dreams. The present work already contains the kernels of all the artistic innovations that would lead Matta to become the champion of gestural and automatic painting in the United States, influencing a whole new generation of artists, such as Pollock.
View Lot -
PABLO PICASSO | TÊTE D’HOMMEPainted in 1940, Tête d’homme, a smiling head of man, dates a surprisingly serene period Picasso is living between two muses, Marie-Thérèse and Dora Maar. The work has been painted in Royan where Picasso settled. In January, the month it was executed, Picasso receives the visit from Breton. Dating the period Picasso painted a serie of heads of women and still-lifes with skulls, this head of man seems to be an evocation of his so called Surréalist period. With its late cubist and expressionist facial features, Tête d’homme is also an evocation and anticipation of the strength of Bacon’s portraits.
View Lot -
JOAN MIRÓ | LES TENDRESSES DE LA LUEUR DE LA LUNE À L’AUBE CROISÉE PAR UN BEL OISEAUPainted in 1954, Les Tendresses de la lueur de la lune à l’aube croisée par un bel oiseau is a highly poetic work. The evocative title, inscribed by the artist on the verso of the canvas, is reminiscent of his painting-poems. Miro creates a new visual and verbal space that captivates the viewer and stimulates curiosity and reverie. The enhanced contours of the bird, a central subject of his oeuvre, are surely linked to his experience with the technique of enamel which he develops with Artigas in the early 1950s.
View Lot -
KAZUO SHIRAGA | CHIKAISEI SHINSANSHIShiraga Kazuo’s Chikaisei Shinsanshi hails from the artist’s most celebrated series in which he titled around a dozen paintings after heroes in the 14th century Chinese epic The Water Margin . This stunning masterpiece heaves and writhes with savage tactility and fiery turbulence, exuding the astounding raw vigour and potent visceral violence that defines Shiraga’s oeuvre. In Chikaisei Shinsanshi, The young Gutai master’s legendary feet-generated strokes thrash out a triumphant path of expression via impassioned collisions of body and paint: like no other artist before him, Shiraga’s performative abstractions are vehemently inspirited with movement.
View Lot -
DANIEL BUREN | PEINTURE AUX FORMES VARIABLESPeintures aux forms variables, executed in June 1966, is one of the artist's first paintings with stripes. It was executed prior to the famous Manifestation exhibition he coordinated with Mosset, Parmentier and Toroni. Organized in January 1967 at the Musée d’Art Moderne de la Ville de Paris and followed by a third edition in June 1967 at the Musée des Arts Décoratifs, these Manifestations questioned the authorial prerogative and the institutionalizing role of the Paris Salons. These two events had a major influence on the Parisian art scene in the years to follow.
View Lot -
PIERRE SOULAGES | PEINTURE 73 X 60 CM, 15 SEPTEMBRE 1975Regarded as one of the greatest painters of the 20th century, Pierre Soulages is the undisputed master of light, contrast and transparencies.
While Clément Greenberg criticized Soulages' paintings for lacking intensity at the end of the 1960s, Soulages 1970s paintings and in particular those of the years 1974-1976 have an extraordinary presence. Because if Soulages has long been interested in Zen, it was not until 1975, after having produced only engravings between 1972 and 1974, that his work took on the singular contemplative dimension of which Peinture 73 x 60 cm, 15 septembre 1975 is the perfect echo.
View Lot
Photo-souvenir : Peinture aux formes variables, juin 1956, 154,9 x 134,8 cm (on stretcher). Detail. © Daniel Buren/ADAGP 2020, Paris (Photo : ArtDigitalStudio)