S otheby’s is pleased to present the selling exhibition Faces in Frame: Portraits Through Time. Bridging historical traditional with contemporary perspectives, this exhibition will feature works by artists such as Richard Prince, George Condo, Pablo Picasso and Robert Home that pay homage to the profound truths of portraiture, reflecting the multifaceted nature of the human experience.
Tracing its origins through centuries, portraiture reveals fundamental truths about humanity and identity, enriching art history with its focus on human subjects. The genre gained prominence during the Renaissance, fueled by humanism and individuality. By the 17th century, the French Royal Academy had elevated portraiture to a status just below history painting, highlighting its role in documenting and celebrating societal figures. Artists, through their distinct visual languages, adeptly capture physical attributes and emotional depth, using their knowledge of anatomy, lighting, and expression to create impactful artworks that resonate across time and place. This fall season, the works in Faces in Frame: Portraits Through Time will highlight the brilliance of portraiture across a mode of artistic interpretations.
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“Are we to paint what’s on the face, what’s inside the face, or what’s behind it?”
- LotFrancis PicabiaTransparence, 1931
- LotRobert HomePortrait of a Maratha Chief
- Barkley L. Hendricks • Jackie Sha-La-La (Jackie Cameron)
- Alexej von Jawlensky • Mädchenkopf (Head of a Girl)
- Lavinia Fontana • Portrait of a Young Woman, Bust-Length
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Jackie Sha-La-La is the essence of cool. She combines Barkley Hendricks most celebrated elements, bringing together technical mastery, narrative specificity, and a stylish, inimitable aura in a visually dazzling composition.. Imbued with cultural touch points ranging from art historical allusion to pop culture and music, the present work freezes its subject and her zeitgeist in time, inserting her presence, and Hendricks’ vision into a storied lineage of art history.
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This incredible portrait was hanging at the end of a corridor when we first saw it, and the glowing effect of those colors was so strong that at first glance it looked like a piece of backlit stained glass. Jawlensky felt that his most powerful works were those he did in the years up to 1914, just before the war, and it’s hard to disagree: his palette is electric in this period. You can see him building on the ideas of Matisse here, both in his color choices and in his focus on the emotive qualities of the human face, which in this case summons a deeply meditative sense of peace. It’s this intensity of emotion that give Jawlensky’s portraits an expressive power and sense of monumentality that is quite independent of their actual size.
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I love how direct and powerful the gaze of this portrait is, made even more stunning given its very small scale. It was painted by one of the earliest and most important woman artists of the late 16th and early 17th century, Lavinia Fontana. Fontana’s portraits are her great legacy, and she was commissioned by the most important Roman and Bolognese families of her time to paint accurate yet lavish depictions of their members. An incredibly important group portrait by her was just acquired by the Fine Arts Museums of San Francisco, and despite being an internationally recognized artist for centuries, I am thrilled that she is seeing renewed attention in the wider collecting fields.
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Constanze Nogler joined Sotheby’s Contemporary Art Department in London in 2015, before moving to New York acting as Head of Sale for the Contemporary Curated auction. Ms Nogler’s expertise spans the 20th century, with particular depth in Contemporary Art.
Having developed her expertise over six years, Ms. Nogler transferred to Sotheby’s Los Angeles office as Assistant Vice President and Director, managing the gallery coordinating both selling exhibitions and private sales worldwide. As one of Sotheby’s leading Contemporary Art experts in the region, Ms. Nogler continues to develop sales for the Contemporary Art auctions on both the buyer and seller end.
Ms. Nogler holds a B.A. in Art History from Ludwig Maximillian University, Munich, a M.A. in Art Business from Sotheby’s Institute, London as well as a Gemologist Degree from the G.I.A.