Live Auction: 30 June 2021 • 10:30 AM CEST • Paris

Highlights from our Paris Exhibition

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  A pair of Portuguese silver, horn and coral cockatoos, Luiz Ferreira, Porto, modern
  
  Silver crane with rock crystal, pyrite, nacre and warthog ivory, Luiz Ferreira, Porto, modern
  
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  An assembled garniture of three gilt-bronze mounted Sèvres porcelain vases and covers, the pair circa 1770, the single vase circa 1820
  
  A pair of Paris porcelain gold-ground two-handled slender vases balustre, circa 1815
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  Studio of Gian Paolo Panini, A capriccio of classical ruins with the Pyramid of Cestius beyond
  
  A pair of Louis XVI giltwood armchairs, one stamped by Louis Delanois, third quarter 18th century (regilt)
  
  A George III style mahogany, satinwood, tulipwood and polychrome-painted demi-lune side table, probably Irish
  
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  A late Louis XVI gilt wood 'veilleuse à la turque', circa 1780, stamped 'G. IACOB'
  
  Italian, 20th century, Hadrian and Julius Caesar
  
  A pair of Continental serpentine columns
  
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  A Portuguese silver elephant and giraffe, Luiz Ferreira, Porto
  
  A gilt-bronze mounted Chinese celadon porcelain potiche, the vase 18th century, the mounts late 19th century
  
  A pair of Louis XVI style gilt-bronze and patinated bronze four-light wall appliques, early 20th century
  
  A George III gilt-bronze mounted and brass-inlaid rosewood, tortoiseshell, mahogany and ‘Boulle’ marquetry cabinet-on-stand
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  A pair of Derby pale turquoise ground campana vases
  
  A large late 18th century Paris biscuit (Duc D'Angouleme Manufactory) mythological group
  
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  After François Girardon (1628-1715), French, 19th century, Louis XIV on horseback
  
  A neoclassical style gilt brass and cut-glass chandelier
  
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  A pair of Portuguese silver models of unicorns, Luiz Ferreira, Porto, modern
  
  A pair of German silver wall sconces for single lights, Peter Rahm, Augsburg, 1716
  
  A pair of Louis XVI style ebony, engraved brass and pewter, tortoiseshell 'Boulle' marquetry meuble d'Appui, by Henri Dasson (1825-1896), Paris, one circa 1875, the other dated 1878