Art & Artist Vintage Posters

A 1960s <a href="https://www.sothebys.com/en/search?query=Kusama&amp;tab=objects&amp;sortBy=bsp_dotcom_prod_en" rel="noopener noreferrer" target="_blank">Kusama</a> <a href="https://www.sothebys.com/en/buy/luxury/collectibles/vintage-poster/art-&amp;-artist" rel="noopener noreferrer" target="_blank">exhibition poster</a>.<ul><li>Published on the occasion of: Yayoi Kusama at Galleria del Naviglio Milan: Jan. 26-February 9th, 1966.</li><li>Brochure on one side, foldout poster on reverse.</li><li>Includes an interview with Kusama and Gordon Brown (in Italian), and a quote from her key early supporter, Herbert Read, referring to Kusama's art as "the most authentic type of super reality."</li><li>Offset printed.</li><li>This work is presented unframed.</li></ul> In 1964, Yayoi Kusama followed-up her Aggregation: One Thousand Boats Show with her provocative Driving Image Show at Castellane Gallery NY - an installation that would eventually travel to Europe, (including Milan's Galleria del Naviglio). This highly collectible vintage original 60s Kusama poster, uniquely features the artist in a macaroni dress (shot by Peter Moore); and is defined by the evocative keywords: ‘sex-food-obsession, compulsion-furniture, repetitive-vision, macaroni-room, air-quanta, interminable-nets, perseveration-forms'.

Yayoi Kusama Driving Image Show Exhibition Poster

A poster for the exhibition: <a href="https://www.sothebys.com/en/search?query=andy%20warhol&amp;tab=objects" rel="noopener noreferrer" target="_blank">Andy Warhol</a>/<a href="https://www.sothebys.com/en/search?query=Jean%20Michel%20Basquiat&amp;tab=objects" rel="noopener noreferrer" target="_blank">Jean Michel Basquiat</a>: Paintings, presented by Palladium.<ul><li>Photograph by Michael Halsband (American, born 1956).</li><li>Palladium Presents Warhol Basquiat Paintings, Saturday September 14 1985, 10 PM, Palladium, 126 East 14 Street, Exhibition at Tony Shafrazi Gallery, Complimentary Admission for Two.</li><li>Published by Tony Shafrazi Gallery.</li><li>Offset lithograph on woven paper.</li><li>This work is presented unframed.</li></ul> The rare original, highly sought-after companion piece to the iconic exhibition poster of the two great artists standing side by side in boxing gloves. This version was issued for an invitation only, one-night event at the Palladium following the exhibit at Shafrazi gallery. Tony Shafrazi, November 2015: "My good friend, the Swiss gallerist Bruno Bischofberger, had worked with Andy Warhol since the mid 1960s. He got to know Jean-Michel’s paintings and started working with him in 1982 or ’83. There had been a suggestion of a collaboration between Warhol, Basquiat, and Francesco Clemente. Then, Jean-Michel and Andy, very enthusiastically and seriously, went on to undertake a whole processes of painting collaboratively at Warhol’s Factory for a year to a year and half, making somewhere between 70 and 80 large paintings that represented an extraordinary—and very rare in history—body of work. Their joint body of work represented a whole year and half of collaboration and production. It was not an overnight thing. The two artists worked together, one painting over the other, back and forth, and I immediately thought of two people sparring and boxing together, which is how I hit upon the idea of a boxing theme for the show’s advertisement." Palladium was built as a deluxe movie theater by move mogul William Fox in 1927. Beginning in 1971 it was also utilized as a concert venue, then later converted into a nightclub in 1985 by Steve Rubell of Studio 54.

Warhol Basquiat Paintings Exhibition Poster

Jean-Michel Basquiat at Vrej Baghoomian Gallery Poster.<ul><li>Part of an unnumbered edition of unknown size.</li><li>Offset lithograph on paper.</li><li>Produced for the occasion of the artist's exhibition at Vrej Baghoomian Gallery, New York, April - June 1988, which would end up as the last exhibition of Basquiat's work prior to his death several months later.</li><li>Poster displays a photographic portrait of the artist holding a copy of the book The Subterraneans, by Jack Kerouac.</li></ul>

Jean-Michel Basquiat Poster

A signed print of Robert Indiana's work, 'The Slips,' 2001.<ul><li>Robert Indiana (American, 1928-2018).</li><li>Printed by Brand X Editions and Published by G &amp; S Editions, New York</li><li>Limited edition artist proof, numbered 11/12.</li><li>Signed, editioned, and dated in pencil along lower edge by Robert Indiana.</li><li>Screen print on woven paper.</li><li>This work is presented unframed.</li></ul> This print is of Robert Indiana's painting from 1959-1961 called, "The Slips." This painting and the subsequent print commemorates the eight marine slips in Indiana’s lower Manhattan neighborhood, which ran along Manhattan’s lower east side, north from Coenties Slip. The names appear in sequence if the painting is read top to bottom, down the lefthand column and then down the right; “Coenties Slip / Old Slip / Burlin Slip / Peck Slip / Catharine Slip / Market Slip / Pike Slip / Rutgers Slip.” These slips were central to New York’s role as a major port in the 18th and 19th centuries. By 1850, all of the slips named in the painting had been filled in to become streets, except for Coenties Slip, which remained active as a marine slip until circa 1880, when it too was filled in.

The Slips Signed Print

A poster for the AIDS hotline, with an illustration by Keith Haring.<ul><li>Keith Haring (1958-1990).</li><li>Designed and illustrated by Keith Haring one year after Haring's own diagnosis with the disease, this poster was issued by the NYC Department of Health beginning in other variations starting in the late 1980s to raise awareness and help those in need of assistance.</li><li>Keith Haring Estate copyright on the upper right edge.</li><li>Offset lithograph on heavy paper.</li><li>This work is presented unframed.</li></ul> The first public hotlines for HIV and AIDS were created by Rodger McFarlane at Gay Men’s Health Crisis. Hotlines were incredibly important as ignorance and misinformation were widespread in regards to the crisis. In 1990, the Ryan White HIV/AIDS Program legislation was first enacted as the Ryan White Comprehensive AIDS Resources Emergency (CARE) Act. Keith Haring (1958–1990) is widely recognized for his colorful paintings, drawings, sculptures and murals. Haring exploded onto the early 1980s New York art scene with his vivid graffiti-inspired drawings, many of which found exposure in the public realm, such as the Times Square billboard broadcast of his famous Radiant Child in 1982. Haring's instantly recognizable "cartoon-like" imagery not only drew on the iconography of contemporary pop and club culture, but also looked back to the patterns and rhythms of Islamic and Japanese art and primitive cave paintings. Furthermore, his work also reflected a profound commitment to social justice and activism and raised numerous issues that remain relevant today, including the AIDS crisis, the Cold War and fear of nuclear attack, racism, the excesses of capitalism and environmental degradation.

Talk To Us Aids Hotline Poster

In 1982, Keith Haring created this striking poster for nuclear disarmament.<ul><li>Keith Haring (American, 1958-1990).</li><li>The work features Haring's signature Radiant Baby in a mushroom cloud.</li><li>Printed signature, "Keith Haring 1982," to lower right.</li><li>Offset lithograph.</li><li>This work is presented unframed.</li></ul> This historical work marks Haring's first poster and helped engineer his focus on social activism. On June 2, 1982, Haring transported the stack of posters in a handcart to New York's Central Park, to what was the largest demonstration to date against nuclear weapons and the 1980s global arms race. There were approximately one million protesters and Haring gave his posters away for free.

Nuclear Disarmament Poster

Vintage signed exhibition poster.<ul><li>John Cadenhead (American).</li><li>Brian Albert (American).</li><li>Designed for the "Art of Found Objects" exhibition at Gallery Schlesinger-Boisante in 1983 in New York.</li><li>Artists included were Keith Haring, Michael Hafftka, Fred Brathwaite, Justen Ladda and frequent Haring collaborator LA2.</li><li>Poster is signed in silver marker by Keith Haring, and in black felt tip pen by Michael Hafftka and LA2.</li></ul>

Art of Found Objects Keith Haring Signed Exhibition Poster

Promotional cards advertising Keith Haring's The Fertility Suite portfolio of screen prints.<ul><li>Sold as a set of 5.</li><li>Published by Tony Shafrazi Gallery, New York.</li><li>Unsigned from an edition of unknown size.</li><li>Brightly colored prints each depicting pregnant figures.</li><li>Offset lithograph on cardstock.</li></ul>

The Fertility Suite Promotional Cards

An exhibition poster published on the occasion of Jean-Michel Basquiat at Galerie Hans Mayer in Düsseldorf, 1988.<ul><li>Jean Michel Basquiat (American, 1960-1988).</li><li>Published by the Hans Mayer Gallery, 1988.</li><li>Designed and illustrated by the artist himself, just months before his death in August of the same year.</li><li>Basquiat printed signature present on lower left.</li><li>Off-set lithograph in colors printed on heavy paper.</li><li>This work is presented unframed.</li></ul> The Hans Mayer Gallery Düsseldorf began with a Josef Albers show in 1965 and concentrated on constructionist art in the following years. In 1969, Hans Mayer was the first to show Andy Warhol in Düsseldorf. The gallery later added exhibitions by further standout artists, including Frank Stella, Ellsworth Kelly, Bill Beckley, Robert Rauschenberg, Roy Lichtenstein, Tom Wesselmann and Keith Haring in the years to follow.

Basquiat Exhibition Poster

A Keith Haring designed poster for the historic Secret Pastures show at the Brooklyn Academy of Music (BAM) in 1984.<ul><li>Keith Haring (American, 1958-1990).</li><li>Printed signature "K. Haring 1984" to lower right</li><li>Offset lithograph.</li><li>This work is presented unframed.</li></ul> Keith Haring Secret Pastures 1984 further history: "The Bill T. Jones/Arnie Zane Dance Company premiered Secret Pastures at Brooklyn Academy of Music in 1984 with a set of collaborators who connected the stage to the street. Smith created costumes; artist Keith Haring designed the set; hairstylist Marcel Fievre conceived androgynous brush cuts; and art-rock composer Peter Gordon and his Love of Life Orchestra composed the score. Secret Pastures explored politics, economics, race, and sexuality, depicting men dancing with each other, interracial communities, and shared labor that served people rather than business. Smith’s unisex, interchangeable costumes for the production expressed his own efforts to undermine stereotypes of gender and race." (Source: Cooper Hewitt). Keith Haring was an American artist and social activist. Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art, moving to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia. The artist’s mural Crack Is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of the Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago and the Smithsonian American Art Museum in Washington, D.C.

Secret Pastures Poster

A set of performance flyers for Basquiat’s band Gray and fellow New York no wave band, DNA, designed and illustrated by DNA member Tim Wright.<ul><li>Sold as a set of 2 flyers.</li><li>Tim Wright (American, 1952-2013).</li><li>Published for the occasions of: DNA and GRAY at CBGB on March 22, 1980; DNA and GRAY at Squat Theatre on June 6, 1980.</li><li>Annotated on the lower by Michael Holman of Gray to fellow bandmate Nicholas (Nick) Taylor.</li><li>Offset printed.</li><li>Presented unframed.</li></ul> These works were notably exhibited at the Museum of the City of New York 2021 ("New Music 1980-86") and The Philharmonie de Paris, 2023 ("Basquiat Soundtracks"). A much historical testament to Basquiat’s music history. Gray was an experimental New York Noise band defined by jazz improvisation, spoken word poetry, sound looping and everything in between. Gray members included co-founder Michael Holman, Nick Taylor, Shannon Dawson, Wayne Clifford and eventually Vincent Gallo. DNA was an American no wave band formed in 1977 by guitarist Arto Lindsay and keyboardist Robin Crutchfield, and later joined by drummer Ikue Mori and bassist Tim Wright. They were associated with the late 1970s New York no wave scene and were featured on the 1978 compilation No New York and soundtrack to Basquiat Downtown 81.

Gray And DNA Band Flyers

A poster promoting the "New Afro-Pagan And Work Exhibition 1975-1995," held at The Gallery on Cork Street in London.<ul><li>Signed by David Bowie in red marker pen and dated "95."</li><li>This work is presented unframed.</li></ul>

David Bowie Signed New Afro-Pagan And Work Exhibition Poster

A flyer for concert by the bands Black Flag, DOA, Descendents and Wasted Youth, featuring artwork by Raymond Pettibon.<ul><li>Raymond Pettibon (American, b. 1957).</li><li>Offset printed&nbsp;on paper.</li><li>This work is presented unframed.</li></ul>

Black Flag Concert Flyer

A poster designed by Haring to advertise the Rain Dance fundraiser, benefiting the Africa Emergency Fund U.S Committee for UNICEF.<ul><li>Keith Haring (American, 1958-1990).</li><li>Includes a printed Haring signature.</li><li>Offset lithograph in colors on smooth woven paper.</li><li>This work is presented unframed.</li></ul>

Rain Dance Benefit Poster

A 1984 Halloween street poster for the legendary New York nightclub Area, uniquely featuring an alien-like Ronald Reagan.<ul><li>Designed by Fernando Natalici (Brazilian, b. 1949).</li><li>Offset lithograph.</li><li>This work is presented unframed.</li></ul> Area opened its doors in September 1983 and virtually overnight became the nexus of one of the most vibrant downtown art and club scenes in New York. Every six weeks, they transformed the enormous space at 157 Hudson with a different art exhibit and performance theme. Area was the place where A-listers such as Andy Warhol, Francesco Clemente, Julian Schnabel, Madonna, JFK Jr. and many others went to see and be seen, a place where Basquiat DJ'd, while Keith Haring and Andy Warhol produced several installations. Area's wildly creative invitations became the hottest tickets in town and instantly collectible art in and of themselves.

Area Nightclub Halloween Poster

A poster for the music event Resist In Concert.<ul><li>Keith Haring (American, 1958-1990).</li><li>Produced for the event on December 4, 1988 at New York's Palladium nightclub.&nbsp;</li><li>Caption reads: A Concert and Festival for Everyone Who's Had ENOUGH of The Right-Wing Clampdown in "Resurgent America" 1988....Basta Ya!</li><li>Musicians who performed include Armageddon, A.T.A.K. Audio Two, D.O.A., Sinead O'Connor, Karen Finley and Michael Rose.</li><li>Offset lithograph printed.</li><li>This work is presented unframed.</li></ul>

Resist in Concert Poster

Poster for the British release of the film A Bigger Splash featuring the artwork of David Hockney.<ul><li>David Hockney (British, b. 1937).</li><li>Lagoon Associates Productions Ltd.</li><li>Unfolded paper backed on linen.</li></ul>

A Bigger Splash Movie Poster

Exhibition poster designed by Keith Haring.<ul><li>Keith Haring (American, 1958-1990).</li><li>Published for the occasion of the artist's exhibition at Fun Gallery in New York in 1983.</li><li>Offset lithograph on paper.</li><li>Imagery includes red and black interlocking figures.</li></ul>

Keith Haring at Fun Gallery Exhibition Poster

Exhibition poster for Keith Haring exhibitions in New York, signed by the artist.<ul><li>Hand-signed by Keith Haring in black marker at lower right.</li><li>Produced for the occasions of Keith Haring Paintings at Tony Shafrazi Gallery, October 26 – November 30, 1985, and Keith Haring Sculptures at Leo Castelli Gallery, October 26 – November 23, 1985.</li><li>Offset lithograph printed on paper.</li></ul>

Signed Keith Haring Exhibition Poster

An "I Do" lithograph from John Lennon’s 1969 Bag One collection, signed by John Lennon.<ul><li>The lithograph has been signed by John Lennon in pencil in the bottom right corner.</li><li>Lithograph is numbered 5/300.</li><li>Printed on BFK Rives paper.&nbsp;</li><li>This work is presented unframed.</li></ul> The series of drawings was first published under the title Bag One and exhibited in January 1970 at the London Art Gallery. On its second day of viewing, the exhibition was closed by Scotland Yard and the lithographs were confiscated because of their highly intimate and erotic nature. The case was ultimately dismissed when the magistrate decided that John's prints were "unlikely to deprave or corrupt."

Bag One Autographed I Do Lithograph

An original performance poster&nbsp;from the Arts Lab, Drury Lane, London.<ul><li>The poster is advertising performances by David Bowie, Graciela Martinez and Mark Boyles Sensual Laboratory.</li><li>The Arts Lab was an alternative arts center, founded in 1967 by Jim Haynes at 182 Drury Lane, London.</li><li>Although only active for two years, it was influential in inspiring many similar centers in the United Kingdom, continental Europe and Australia.</li><li>David Bowie, who used to rehearse (and perform mime) at the Drury Lane Arts Lab, co-founded a Beckenham Arts Lab, which organized a one-day free festival, but was disillusioned by the lack of interest of other performers and artists taking an active role in the continuation of the center.</li></ul>

Arts Lab London Performance Poster

Poster designed by Keith Haring for Rain Dance Benefit, 1985.<ul><li>Keith Haring (American, 1958-1990).</li><li>Published for the occasion of the Rain Dance Benefit for the Africa Emergency Fund U.S Committee for UNICEF.</li><li>Printed artist signature on right.</li></ul>

Rain Dance Benefit Announcement Poster

A poster from David Bowie’s New Afro Pagan and Work exhibition.<ul><li>The exhibition was presented at The Gallery on Cork Street, London.</li><li>The poster has been signed in red pen by David.</li><li>He has added "To Tom Best Wishes" and "95" before and after his signature.</li><li>It was signed in April 1995 outside Kate Chertavian Fine Art, The Gallery, London.</li><li>The poster comes with a color printout of David signing the poster.</li><li>This work is presented unframed.</li></ul>

New Afro Pagan and Work Exhibition Poster Signed by David Bowie

Exhibition poster for the Theater der Welt in Frankfurt, Germany.<ul><li>Keith Haring (American, 1958–1990).</li><li>First printing, from an edition of unknown size.</li><li>Plate signed with artist signature and copyright on mid-right edge.</li><li>Silk-screened on heavy paper.</li></ul>

Keith Haring Theater der Welt Frankfurt Poster

A poster advertising a Keith Haring exhibition at the Stedelijk Museum, Amsterdam.<ul><li>Keith Haring (American, 1958–1990).</li><li>Produced for the the occasion of: Keith Haring at the Stedelijk Museum, Amsterdam, Netherlands, March 15th–12th May, 1986.</li><li>This exhibition marked Haring's first major solo show.</li><li>Silk-screened in color.</li></ul>

Keith Haring Stedelijk Museum Exhibition Poster

Vintage Jean Dubuffet exhibition poster, signed by the artist.<ul><li>Signed and dated in pencil at lower corner.</li><li>Numbered 50/60.</li><li>Published by Robert Fraser Gallery for the occasion of Dubuffet's London exhibition, April 20-May 28, 1966.</li></ul>

Signed Ustensiles Utopiques Exhibition Poster

A poster invitation published for the occasion of Andy Warhol's Studies for a Boy Book exhibition, held at the Bodley Gallery and Bookshop February 14 to March 3, 1956.<ul><li>Andy Warhol (American, 1928-1987).</li><li>Offset lithograph on woven paper.</li><li>With the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts Authorization ink-stamps on the reverse.</li><li>This work is presented framed.</li></ul>

Studies for a Boy Book Exhibition Announcement Poster

Announcement card for "Martin Fun(d)," featuring artwork by Keith Haring and Andy Warhol.<ul><li>Produced for the occasion of the "Martin Fun(d)" AIDS fundraising event at The Pyramid Club in New York City on September 4, 1986.</li><li>Folded announcement features Keith Haring artwork on one side and Andy Warhol illustrations on the other.</li><li>Offset lithograph print on heavy cardstock.</li></ul>

Martin Fund Announcement Card

An exhibition poster created for the occasion of Keith Haring Drawings, October 9 to November 13, 1982 at Tony Shafrazi Gallery, New York.<ul><li>Keith Haring (American, 1958-1990).</li><li>The classic white on black, chalk-like design was born out of Haring's famous subway drawings of the same period.</li><li>Offset lithograph.</li></ul> Keith Haring was an artist and social activist who became a star of the 1980s New York art scene. Along with Jean-Michel Basquiat, Haring was a central figure in Warhol's creative and social circle. Through his public murals, subway drawings, as well as his prints and paintings, Haring created a range of images that have become internationally recognized across a plethora of genres and industries.

Keith Haring Drawings Exhibition Poster

A poster for the exhibition Keith Haring: Apocalypse, which took place at Deitch Projects, November 4 to December 31, 1999.<ul><li>Published by Deitch Projects, New York.</li><li>Poster features a grid design of Haring's artwork.</li><li>Offset lithograph.</li></ul>

Keith Haring Apocalypse Exhibition Poster

A dizzying poster of Kusama's iconic polka-dotted soft sculptures, advertising the opening of the 1965 installation at the Castellane Gallery of her first ever mirror room, hand-addressed by Kusama in 1965 to the Museum of Modern Art.<ul><li>Produced by Castellane Gallery in 1965.</li><li>Hand-addressed by the artist to the Museum of Modern Art on verso, with 1965 Grand Central Station postmark.</li><li>This work is presented unframed.</li></ul> Kusama's exhibition, titled in full "Infinity Mirror Room —Phalli's Field (Floor Show)," was documented in a series of photographs of the artist reclining on her own "phallus meadow" in a red leotard — the most famous and striking images of her work from that era. In her autobiography, Kusama describes the installation that marked the beginning of arguably her best-known and most popular series of works: "The walls of the room were mirrors, and sprouting from the floor were thousands of white canvas phallic forms covered with red polka dots. The mirrors reflected them infinitely, summoning up a sublime, miraculous field of phalluses. People could walk barefoot through the phallus meadow, becoming one with the work and experiencing their own figures and movement as part of the sculpture. Wandering into this infinite wonderland, where a grandiose aggregation of human sexual symbols had been transformed into a humorous, polka-dotted field, viewers found themselves spellbound by the imagination as it exorcised sexual sickness in the naked light of day." The New York Times described Kusama's mid-'60s work as the "awful vision of a self-perpetuating infinity," but they meant they liked it. The verso of the poster is addressed by Kusama to MoMA, which now holds numerous works by the artist in their permanent collection and mounted her site-specific installation Narcissus Garden at PS1 in 2018. An important association of this scarce document for an early and landmark show from this major artist — distinctly rare addressed by Kusama.

Floor Show Exhibition Poster

An early Patti Smith print featuring her poetry and artwork, designed as a declaration of her admiration and love for Arthur Rimbaud, the famous French symbolist poet who played a pivotal role in Smith’s artistic development.&nbsp;<ul><li>Patti Smith (American, b. 1946).</li><li>Part of a limited edition of 300 pieces.</li><li>Offset printed on paper.</li><li>Printed signature and numbering on lower left.</li></ul>

Patti Smith Devotions to Arthur Rimbaud Poster

A double-sided flyer advertising the Refuse and Resist activist event Resist! In Concert.<ul><li>Keith Haring (American, 1958-1990).</li><li>Includes printed Haring signature.</li><li>Caption reads: "A Concert and Festival for Everyone Who's Had ENOUGH of The Whole Right-Wing Clampdown in 'Resurgent America' 1988....Basta Ya!" …It Can Happen Here.”</li><li>Offset lithograph.</li></ul>

Resist in Concert Flyer

Poster advertising the exhibition,&nbsp;Jean-Michel Basquiat Works and Portraits&nbsp;at Parco Gallery Tokyo in July/August 1997.<ul><li>Photograph of Basquiat in boxing gloves by Michael Halsband.</li><li>Published in conjunction with the publication&nbsp;Basquiat: King for a Decade&nbsp;by Taka Kawachi.</li><li>Reverse of poster includes Japanese text as well as images of Basquiat and his works.</li><li>Unsigned from an edition of unknown size.</li><li>Offset lithograph printed.</li></ul>

Jean-Michel Basquiat Works and Portraits Poster

The Fight, World Championship Boxing Harlem Viewing poster, 1971.<ul><li>Celestino Piatti (Swiss, 1922–2007).</li><li>Produced for the occasion of the exclusive viewing in Harlem of the&nbsp;World Championship boxing match between Muhammad Ali and Joe Frazier at Madison Square Garden in New York.</li><li>Depicts a glove with a face, with a globe in its mouth.</li></ul>

Art & Artist Vintage Posters

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Yayoi Kusama

Robert Indiana

Keith Haring

Keith Haring

Brian Albert, John Cadenhead

After Keith Haring

Jean-Michel Basquiat

Keith Haring

Tim Wright

Raymond Pettibon

Keith Haring

Fernando Natalici

Keith Haring

David Hockney

After Keith Haring

After Keith Haring

John Lennon

Keith Haring

David Bowie

After Keith Haring

After Keith Haring

After Jean Dubuffet

Andy Warhol

After Andy Warhol, Keith Haring

After Keith Haring

After Keith Haring

After Yayoi Kusama

Patti Smith

After Keith Haring

Celestino Piatti