Sotheby's presents a selection of <a href="https://www.sothebys.com/en/buy/interiors/furniture" rel="noopener noreferrer" target="_blank">furniture</a>, <a href="https://www.sothebys.com/en/buy/interiors/decorative-arts-&amp;-objects" rel="noopener noreferrer" target="_blank">décor</a> and <a href="https://www.sothebys.com/en/buy/interiors/decorative-arts-&amp;-objects/decor/wall" rel="noopener noreferrer" target="_blank">art</a> curated from private individuals, dealers and corporate collections. Explore <a href="https://www.sothebys.com/en/buy/interiors/antiques" rel="noopener noreferrer" target="_blank">antiques</a>, <a href="https://www.sothebys.com/en/buy/interiors/mid-century-modern" rel="noopener noreferrer" target="_blank">Mid-Century Modern</a> and more in our Interiors Shop. <a href="https://www.sothebys.com/en/buy/interiors/mid-century-modern" rel="noopener noreferrer" target="_blank">Shop Mid-Century Modern</a> | <a href="https://www.sothebys.com/en/buy/interiors/contemporary" rel="noopener noreferrer" target="_blank">Shop Contemporary</a> | <a href="https://www.sothebys.com/en/buy/interiors/antiques" rel="noopener noreferrer" target="_blank">Shop Antiques</a>

Seating

Tables

Storage

Accessories

Lighting

Interiors

Massachusetts side chair with solid vasiform splat, trapezoidal slip-seat, scalloped seat rail and cabriole legs.<ul><li>Joined by stretchers and ending in pad feet.</li><li>Original needlepoint upholstery with family crest.</li></ul> <a href="https://www.sothebys.com/en/buy/interiors/hallock-du-pont" rel="noopener noreferrer" target="_blank">Property from the Estate of S. Hallock du Pont, Jr.</a>

American Queen Anne Mahogany Side Chair

Karnac lithograph after David Roberts.<ul><li>Lithograph by Louis Haghe, after painting by David Roberts.</li><li>London: 1849.</li><li>Hand-colored lithograph on fine paper mounted on card as issued from the subscription edition of Roberts' Egypt.&nbsp;</li></ul> David Roberts' magnificent images of Egypt and the Holy Land rank among the finest topographical views of the 19th century. Roberts made a two-year journey to the Middle East commencing in 1838, and while there, executed numerous watercolors from which the finest were selected for the publication. The lithographs were executed by Louis Haghe. In order to help fund the project, Roberts produced a deluxe subscription edition, from which this lithograph was taken, which is notable for being the only edition to have original hand color, which would have been executed under the direction of the artist.

Karnac

Saint Louis Crystal and Wood Folia Portable Lamp<ul><li>Features five levels of light intensities</li><li>Includes USB charger, care booklet and box</li><li>This item is final sale and not eligible for return</li></ul>

Crystal and Wood Folia Portable Lamp

A print featuring a Wedgwood design.<ul><li>Frederick Rathbone (English).</li><li>London: Bernard Quartich, 1898.</li><li>Chromolithograph by W. Griggs from&nbsp;Old Wedgwood: The Decorative or Artistic Ceramic Work, in color and relief, invented and produced by Josiah Wedgwood, at Etruria, in Staffordshire, 1760-1794.</li><li>Plate XXVII.</li><li>This work is presented matted and unframed.</li></ul>

The Water Vase

A print featuring a Wedgwood design.<ul><li>Frederick Rathbone (English).</li><li>London: Bernard Quartich, 1898.</li><li>Chromolithograph by W. Griggs from&nbsp;Old Wedgwood: The Decorative or Artistic Ceramic Work, in color and relief, invented and produced by Josiah Wedgwood, at Etruria, in Staffordshire, 1760-1794.</li><li>Plate XII.</li><li>This work is presented matted and unframed.</li></ul>

A Vase In Grey-Blue Jasper With Reliefs Of The Muses

A print featuring a Wedgwood design.<ul><li>Frederick Rathbone (English).</li><li>London: Bernard Quartich, 1898.</li><li>Chromolithograph by W. Griggs from&nbsp;Old Wedgwood: The Decorative or Artistic Ceramic Work, in color and relief, invented and produced by Josiah Wedgwood, at Etruria, in Staffordshire, 1760-1794.</li><li>Plate XXVI.</li><li>This work is presented matted and unframed.</li></ul>

The Wine Vase

A print featuring a Wedgwood design.<ul><li>Frederick Rathbone (English).</li><li>London: Bernard Quartich, 1898.</li><li>Chromolithograph by W. Griggs from&nbsp;Old Wedgwood: The Decorative or Artistic Ceramic Work, in color and relief, invented and produced by Josiah Wedgwood, at Etruria, in Staffordshire, 1760-1794.</li><li>Plate XXXIX.</li><li>This work is presented matted and unframed.</li></ul>

Crystaline Agate Vase With Four Handles

A print featuring Wedgwood designs.<ul><li>Frederick Rathbone (English).</li><li>London: Bernard Quartich, 1898.</li><li>Chromolithograph by W. Griggs from&nbsp;Old Wedgwood: The Decorative or Artistic Ceramic Work, in color and relief, invented and produced by Josiah Wedgwood, at Etruria, in Staffordshire, 1760-1794.</li><li>Plate XLIV.</li><li>This work is presented matted and unframed.</li></ul>

A Cup And Saucer, Flower Pot, And Teapot

Roses aquatint and mezzotint, printed in color, finished by hand, and heightened with gum arabic from The Temple of Flora.<ul><li>Robert John Thornton (English, 1768–1837).</li><li>Framed and glazed.</li><li>This rare and celebrated plate of The Roses is the only one by Thornton by himself.</li></ul> Robert John Thornton (1786-1837) was a prolific medical author and became a Doctor of Medicine at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the sexual system of...Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat&nbsp;the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time.

English Hand-Colored Roses Engraving

A print featuring a Wedgwood design.<ul><li>Frederick Rathbone (English).</li><li>London: Bernard Quartich, 1898.</li><li>Chromolithograph by W. Griggs from&nbsp;Old Wedgwood: The Decorative or Artistic Ceramic Work, in color and relief, invented and produced by Josiah Wedgwood, at Etruria, in Staffordshire, 1760-1794.</li><li>Plate XXXVII.</li><li>This work is presented matted and unframed.</li></ul>

A Large Jardinière in Jasper

A print featuring Wedgwood designs.<ul><li>Frederick Rathbone (English).</li><li>London: Bernard Quartich, 1898.</li><li>Chromolithograph by W. Griggs from&nbsp;Old Wedgwood: The Decorative or Artistic Ceramic Work, in color and relief, invented and produced by Josiah Wedgwood, at Etruria, in Staffordshire, 1760-1794.</li><li>Plate XLI.</li><li>This work is presented matted and unframed.</li></ul>

Jardinière in White and Two Vases in Blue Jasper

A print featuring Wedgewood designs.<ul><li>Frederick Rathbone (English).</li><li>London: Bernard Quartich, 1898.</li><li>Chromolithograph by W. Griggs from&nbsp;Old Wedgewood: The Decorative or Artistic Ceramic Work, in color and relief, invented and produced by Josiah Wedgewood, at Etruria, in Staffordshire, 1760-1794.</li><li>Plate XXXVIII.</li><li>This work is presented matted and unframed.</li></ul>

Three Vases In Grey-Blue Jasper

A print featuring Wedgwood designs.<ul><li>Frederick Rathbone (English).</li><li>London: Bernard Quartich, 1898.</li><li>Chromolithograph by W. Griggs from Old Wedgwood: The Decorative or Artistic Ceramic Work, in color and relief, invented and produced by Josiah Wedgwood, at Etruria, in Staffordshire, 1760-1794.</li><li>Plate XLV.&nbsp;</li><li>This work is presented matted and unframed.</li></ul>

Green and Tri-Color Jasper Wedgwood Vases

A suite of eighteenth century conversation piece engravings in the rococo style, showing the nobility at leisure, dining and dancing outdoors in a bucolic setting.<ul><li>Sold as a set of 4.</li><li>Each image is set within delicately colored scrolled borders featuring flowers, foliage, leafy tendrils and fruit.</li><li>These prints capture the privilege and lifestyle of the aristocracy and are typical of French decorative art in the early to mid eighteenth century.</li><li>Each is presented in a modern gilt frame.</li></ul>

La Manna Le Matin / El Mediodia Le Midi / Eldespues de Comer L'Apres Diner / Le Soir La Tarde

<a href="https://www.sothebys.com/en/buy/interiors/the-flatiron-collection" rel="noopener noreferrer" target="_blank">The Flatiron Collection.</a>Upholstered queen-size platform bed.<ul><li>Layered wooden frame covered by shape-retaining polyurethane foam.</li><li>Tufted headboard.</li><li>Feet in wood painted aluminum silver.</li><li>Upholstered in a light beige cotton-linen blend.</li><li>For use with queen-size mattress.</li></ul>

Tufted Queen Bed 

T96 Boomerang Desk by Osvaldo Borsani produced by Tecno.<ul><li>Rosewood, steel and aluminum construction.</li><li>Boomerang shape table with swiveling cabinet.</li><li>Cabinet has three drawers and an open cubby.</li><li>Piece of custom cut glass on top of both surfaces.</li></ul> <a href="https://www.sothebys.com/en/buy/interiors/a-modernist-collection" rel="noopener noreferrer" target="_blank">The Plaza: A Modernist Collection</a>

T96 Boomerang Writing Desk

Hand-finished copper engravings from Hortus Eystettensis, one of the earliest and most famous works in the field.<ul><li>Sold as a set of 4.</li><li>Copper engraved plates enhanced by hand with color.</li><li>Basilius Besler&nbsp;(German, 1561–1629) was a respected Nuremberg apothecary and botanist, best known for his monumental Hortus Eystettensis.</li><li>Framed and glazed.&nbsp;</li><li>Published by Nuremberg and Eichstatt.</li></ul> The Hortus Eystettensis is a pictorial record of the flowers grown in the greatest German garden of its time, that of Prince Bishop of Eichstatt, Johann Conrad von Gemmingen. The garden was begun by Joachim Camerarius in 1596 and, after his death in 1598, completed by Basilius Besler. A visitor, Philipp Hainhofer, in 1611 marveled at the eight gardens, each containing "flowers from a different country; they varied in the beds and flowers, especially in the beautiful roses, lilies, tulips." The Hortus records this variety and beauty. The book is exceptional in every sense; in its variety and range of flowers, in its size, in its fine quality of engraving. It is also one of the earliest records of flowers from a specific, documented&nbsp;garden. Besler was asked to complete the work by Gemmingen in 1606; the huge nature of the task was clear to Besler and he enlisted the help of his younger brother Hieronymus and Ludwig Jungermann, a nephew of Camerarius. Printing the Hortus may have begun as early as 1607. Drawings were made in situ and from specimens sent by the Bishop to Nuremberg; the Bishop reported to Hainhofer that he had boxes of fresh flowers sent every week to Besler at Nuremberg for sketching. A team of at least 10 engravers were employed to translate the drawings to copper plates. The gardens, along with most of the town of Eichstatt, were destroyed by the invading Swedish troops under Herzog Bernhard von Weimar in 1633–4, although they were partially restored by later bishops. Many of the original drawings survive in the University Library, Erlangen.

German Hand-Colored Peony Engravings

A group of&nbsp;chromolithographs of water fowl, laid on contemporary card, as published.<ul><li>Sold as a set of 6.</li><li>Alexander Pope Jr. (American, 1849-1924).</li><li>New York: Charles Scribner's Sons,&nbsp;1878.</li><li>Alexander Pope Jr. was an American sculptor and painter. He is known primarily for this series on game birds and a similar one on dogs.</li><li>Each is presented framed.</li></ul>

Water Fowl

A star chart from the second edition of Flamsteed's Atlas Coelestis.<ul><li>Hand-colored sign of the zodiac heightened with gold and silver.</li><li>Engraved by John Mynde.</li><li>Framed and glazed.</li></ul> Charles II founded the Royal Observatory in Greenwich in 1675 and, in the same year, John Flamsteed (1646–1719) was appointed the first Astronomer Royal. Flamsteed began to collect data on the stars as observed using a telescope in order to create a star atlas showing the celestial sky above Greenwich. This was a huge undertaking and Flamsteed didn't live to see its publication, which was finally produced by his widow in 1729, ten years after his death. The stars were positioned and the astrological coordinates drawn by Abraham Sharp, while the figures in the constellations were after drawings by Sir James Thornhill and others. In his atlas, Flamsteed corrects the errors in position made by earlier astronomers such as Bayer in the 17th century. It was considered the first significant contribution of the&nbsp;Observatory, and the numerical Flamsteed designations for stars are still in use.

Camelopardal & Auriga Star Chart, Atlas Coelestis

<a href="https://sothebyshome.com/private-collections/andrea-klepetar-fallek-collection.html" rel="noopener noreferrer" target="_blank">From the Collection of Andrea Klepetar-Fallek.</a><ul><li>Walnut secretary cabinet with incredible interior storage.</li><li>One bottom drawer and nine interior drawers for ample storage.</li><li>Carved wood legs support the frame.</li><li>Accented with brass knobs and keyholes.</li><li>Hunter-green felt lines the desk area for added design and protection.</li><li>Access keys to lock drawers come with piece.</li></ul>

Georgian Style Tall Cabinet

The engravings depict a key event following the defeat of Tipu Sultan in 1792. Tipu stands outside his fortress of Seringapatum and sends his two young sons to become British hostages, while the British set out the terms of a punitive peace treaty.<ul><li>Sold as a set of 2.</li><li>After Mather Brown (American, 1761-1831).</li><li>Engraved by Francesco Bartolozzi and Daniel Orme.</li><li>The delivery of the definitive treaty by the hostage princes into the hands of Lord Cornwallis [with] The Key to Mr. Brown’s Prints from the India Subjects.</li><li>London: Walker and Brachenbury, 1793.</li><li>Accompanied by the key plate.</li><li>Presented in handmade gilt frames.</li></ul>&nbsp;Mather Brown (1761-1831), born and raised in Massachusetts, was one of the American artists who made their way to Europe during and immediately after the American Revolution to study painting. In London he formed a partnership with Daniel Orme to publish his work as engravings.

The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

A mezzotint depicting a contest between the game-cocks of Colonel Mordaunt and the Nawab Wazir of Oudh, Asafud-dauba, who are seen facing each other with outstretched arms.<ul><li>Johann Zoffany (German, 1733-1810).</li><li>Engraved by Richard Earlom.</li><li>Colonel Mordaunt's Cock Match. At Lucknow in the Province of Oude in the Year 1786, at which were present several High and Distinguished Personages.</li><li>London: R. Sayer, No. 53, Fleet Street, 1st May, 1792.</li><li>With the rare index plate.</li><li>This work is presented framed.</li></ul> The court of Lucknow, renowned for many extravagances, was especially celebrated for the sports of hunting and cockfighting, in which the Nawab delighted. Mordaunt was a keen cockfighter and had brought out from England gamecocks which he was confidant would defeat the native-bred cocks (Mary Webster, Johan Zoffany 1733-1810, Exhibition at the National Portrait Gallery, 1976, cat. no. 104). Notable spectators include General Martin, Mr. Wheeler, John Wombwell, Ozias Humphry and Zoffany himself.

Colonel Mordaunt's Cock Match

Engravings depicting the metamorphoses of South American insects and the exotic plants on which they feed, from Dissertatio de Generatione et Metamorphasibus Insectorum Surinamensium.<ul><li>Sold as a set of 4.</li><li>After Maria Sybylla Merian (German, 1647-1717).</li><li>Engravings by J. Mulder, P. Sluyter and D. Stoopendaal.</li><li>The Hague: Gosse, 1719.</li><li>Hand-colored later.</li><li>Each is presented framed.</li></ul> Maria Sybilla, daughter of the German engraver and publisher Matthias Merian, devoted herself to the study of European insects and their metamorphoses. As a result of the wealth of tropical varieties being brought back by the Dutch West Indies Company, she decided to visit the Dutch colony of Surinam herself to study and paint the insect life there. She sailed with her daughter Dorothea on June 1699 from Amsterdam, and remained in Surinam until 1701. Her work, first published in 1705, "gave an unprecedented glimpse of the teeming insect life of tropical South America, with gorgeous butterflies flying around luxuriant flowering or fruiting plants and with large many-colored caterpillars crawling over the leaves. [The plates] have earned Maria Merian an honored place in the history of tropical entomology as also in botanical illustration" (W.T. Stearn, introduction to The Wondrous Transformation of Caterpillars, 1978).

Flowers, Insects and Fruits

A group of engravings of Todda Panna palms.<ul><li>Sold as a set of 4.</li><li>Hendrik Adriaan van Rheede tot Drakenstein (Dutch).</li><li>Plates drawn by Matteus A. St. Joseph and engraved by B. Stoopendael.</li><li>Amsterdam: Sumptibus viduae Joannis van Someren, haeredum Joannis van Dyck, Henrici &amp; viduae Theodori Boom, 1678-1703.</li><li>Copper engraved double-page plates, from Hortus Indicus Malabaricus.</li><li>These works are presented framed.</li></ul> The Hortus Indicus is the first comprehensive Flora of the East Indies, containing the first illustrations of a great number of tropical and suptropical plants and fruits and one of the first major natural history works to make extensive use of Arabic Botanical nomenclature. “One of the most celebrated of pre-Linnean books...an important contribution to the Botany and Ethnobotany of Southern India” (Blunt and Stearn The Art of Botanical Illustration p. 153). Rheede was the colonial governor of Malabar on the southwest coast of India and, when not occupied with official duties, an enthusiastic botanist and investigator of the Indian sub-tropical flora. Initially he encouraged local people to collect plants for him and employed learned Brahmins to supply information.

Todda Panna Botanical Engravings

Hand-colored mezzotint engravings of aloes in decorative pots by Johann Weinmann.<ul><li>Sold as a set of 12.</li><li>Johann Wilhelm Weinmann (German).</li><li>Amsterdam: Zacharias Romberg, 1736-1748.</li><li>In handmade gold-leaf frames and glazed with glass.</li></ul> Weinmann (1683-1741) was a Regensburg apothecary who organized the publication of Phytanthoza Iconographia, a huge florilegum which was not only very beautiful but which also influenced the publication of similar works worldwide. "The mezzotint process used here had been invented by Johann Teyler in the Netherlands around 1688. As practiced here by Bartholomaus Seuter (1678-1754) and Johann Elias Ridinger (1698-1767), it was really a combination of etching and mezzotint, which made possible delicate lines and a very fine grain. The addition of hand-tinting brought about unusual and subtle effects." (Hunt)

Aloes in Decorative Pots Mezzotints

A group of watercolors of hyacinths by Pieter van Loo.<ul><li>Sold as a set of three prints, framed as one piece.</li><li>Pieter van Loo (Dutch).</li><li>Three bodycolor paintings of double hyacinths, with the names of the varieties lettered at the top, each signed below.</li><li>This work is presented framed.</li></ul> Pieter Van Loo (or Loon), Haarlem 1731-1784, was a noted flower painter who spent the whole of his life in Haarlem. His paintings are sought after and are found in leading institutions such as the Albertina in Vienna, the Fitzwilliam, Cambridge and Oak Spring, Virginia.

Hyacinths

A group of hand-colored engraved plates of hyacinths.<ul><li>Sold as a set of 6.</li><li>Pierre Joseph Buchoz (French).</li><li>Collection coloriée des plus belles variétés de Jacinthes, qu'on monte aux Curieux dans les Jardins des Fleuristes d'Harlem.</li><li>Paris, Pierre Joseph Buchoz, 1781.</li><li>Each is presented framed.</li></ul> The second half of the eighteenth century saw a boom in natural history publications in France fueled by such works as Buffon's Histoire Naturelle. The accession of Louis XVI in 1774 was followed by a relaxation in the regulation of the book trade, making it easier for authors to publish their own works. No other writer was to take such copious advantage of these two developments as Pierre-Joseph Buchoz (1731-1807), a French physician, lawyer and naturalist. His works are characterized by the beauty of the illustrations, and their rarity owing to the small size of the print runs.

Hermès Écru and Gris Foncé Wool and Cashmere Small Avalon Pillows<ul><li>These pillows are 90% merino wool 10% cashmere</li><li>Includes two pillow covers with zip closures, two pillow inserts and two dustbags</li><li>This item is final sale and not eligible for return</li></ul>

Écru and Gris Foncé Wool and Cashmere Small Avalon Pillows

Hermès Gris Fonce and Ecru Wool and Cashmere Avalon Throw Blanket<ul><li>Made with 90% merino wool and 10% cashmere</li><li>This item is final sale and not eligible for return</li></ul>

Gris Fonce and Ecru Wool and Cashmere Avalon Throw Blanket

Saint Louis Crystal and Wood Folia Portable Lamp<ul><li>Features 5 levels of light intensities</li><li>Includes usb charger, care booklet and box</li><li>This item is final sale and not eligible for return</li></ul>

These iconic bronze forms and patterns have become intrinsically woven with the identity of Chinese ceramics and bronzes to the present day.<ul><li>An archaistic-style, parcel-gilt and silver inlaid lei-form bronze vessel.</li><li>Decorated with patterns and forms dating back to the Western Zhou Dynasty.</li><li>This piece is final sale and not eligible for return.</li></ul>

Chinese Late Qing Dynasty Archaic Style Parcel Gilt and Inlaid Handled Lei

Hermès Gris Perle Cabriole Merino Wool and Cashmere Avalon Throw Blanket<ul><li>Limited edition child-sized blanket designed by Alice Charbin</li><li>Made with 90% merino wool and 10% cashmere</li><li>Includes ribbon and box</li><li>This item is final sale and not eligible for return</li></ul>

Gris Perle Cabriole Merino Wool and Cashmere Avalon Throw Blanket

Hand-colored copperplate engraving of three lizards by Friedrich Johann Bertuch.<ul><li>From Bilderbuch fur Kinder (Picture Book for Children), Weimar, 1798.</li><li>Wooden frame under glass.</li></ul>

German Colored Lizard Engraving

A set of hand-colored engravings of various fish.<ul><li>Engravings from Unterhaltungen aus der Naturgeschichte - Fische by Gottlieb Tobias Wilhelm.</li><li>Depicting various species of fish.</li><li>Wooden frame under glass.</li></ul>

German Colored Fish Engravings

Hand-colored engraving by Prideaux John Selby.<ul><li>Depicting the Common Bunting, Yellow Bunting, Reed Bunting, Cirl Bunting and Tawny Bunting</li><li>Giltwood frame.</li></ul>

English Colored Bunting Engraving

<a href="https://www.sothebys.com/en/buy/interiors/the-flatiron-collection" rel="noopener noreferrer" target="_blank">The Flatiron Collection.</a>Autoban gave brass a contemporary form, while creating a functional lighting unit.<ul><li>Cage-like repetition of metal rods.</li><li>Brass-plated steel.</li><li>Crowned with a modern and simple white fabric lampshade.</li><li>For use with 60-watt light bulb.</li></ul>

Filters

Category

Creator

Price

Era

Seating Type

Table Type

Storage Type

Lighting Type

Bed Type

Rug Type

Decor Type

Dining & Serveware Type

Architectural & Garden Type

Clock Type

Textile Type

Period

Decorative Style

Materials

Color

Rug Shape

Rug Pattern

Rug Construction

Region of Origin

Country of Origin

Item Location

Available for International Shipping

Louis Haghe, David Roberts

Saint-Louis

Frederick Rathbone

Frederick Rathbone

Frederick Rathbone

Frederick Rathbone

Frederick Rathbone

Robert John Thornton

Frederick Rathbone

Frederick Rathbone

Frederick Rathbone

Frederick Rathbone

Usona

Osvaldo Borsani

Basilius Besler

Alexander Pope Jr.

John Flamsteed

After Mather Brown

Johann Zoffany, R.A.

After Maria Sibylla Merian

Hendrik Adriaan van Rheede tot Drakenstein

Johann Wilhelm Weinmann

Pieter van Loo

Pierre-Joseph Buc'hoz

Hermès

Hermès

Saint-Louis

Hermès

Friedrich Johann Bertuch

Gottlieb Tobias Wilhelm

Prideaux John Selby

Autoban, De La Espada