Old Master Paintings & Works on Paper Day Auction

Old Master Paintings & Works on Paper Day Auction

View full screen - View 1 of Lot 263. View towards Rhenen, from the Tafelberg, with three men sitting on a stone bench under a tree.

Property from the Ehlen Collection

Paulus van Liender

View towards Rhenen, from the Tafelberg, with three men sitting on a stone bench under a tree

Lot closes

July 4, 11:41 AM GMT

Estimate

3,000 - 4,000 GBP

Current Bid

1,000 GBP

5 Bids

No reserve

Lot Details

Description

Property from the Ehlen Collection


Paulus van Liender

Utrecht 1731 - 1797 Haarlem

View towards Rhenen, from the Tafelberg, with three men sitting on a stone bench under a tree


signed and inscribed, in pen and brown ink, verso: Rhenen van de Tafelberg te zien 1764 Paul V. Liender 1790

point of the brush and grey wash and black chalk, within pen and ink framing lines

175 by 264 mm

This attractive drawing is in some ways a combination of Van Liender's two favourite compositional types -- heavily wooded landscapes and precisely rendered topographical views -- which rarely come together in the same drawing. Here, the composition is dominated by the lush foreground trees and relaxing figures, but in the distance we see very clearly the church tower of Rhenen, and the details of the surrounding area.


Although most of Van Liender's topographical drawings and watercolours feature views around Haarlem and Utrecht, he also occasionally represented the lower Rhine region, so often visited by Dutch and Flemish artists during the 17th and 18th centuries. Laurens Schoemaker has, however, suggested that in at least some cases, Van Liender may have based his drawings not on his own personal observations but on sketches made on the spot by other artists, and indeed wonders whether Van Liender himself ever visited the lower Rhine. A drawing in the C.P. van Eeghen collection, showing exactly the same location but from a different angle is, like the present sheet, inscribed by Van Liender with two different dates: the 1764 that we also see here, and 1789. In Schoemaker's view, the Van Eeghen Collection drawing may be based on a lost prototype by the Utrecht artist Dirk van der Burg, who made various drawings of Rhenen in August 1764, and whose drawings Van Liender is known to have copied.1 Perhaps he acquired drawings by his fellow native of Utrecht following Van der Burg's death in 1773.


Another view by Van Liender, taken from the Heimenberg, near Rhenen, is also dated 17642, and two views of Nijmegen are in the Topographische Atlas Gelderland, in Arnhem.3


We are most grateful to Laurens Schoemaker for his help in the cataloguing of this drawing.


1 L. Schoemaker and H.P. Deys, Tegen de helling van de heuvelrug : Rhenen in oude tekeningen 1600-1900, Utrecht 2007, p. 213, no. 181


2 Sold Hamburg, Hauswedell & Nolte, 13-14 June 2014, lot 615 


3 Inv. GM 10.103 & GM 10.141


Tegen de helling van de heuvelrug : Rhenen in oude tekeningen 1600-1900, Utrecht 2007,