Joseph Walsh, Unique "Lillium" Low Table

Commissioned directly from the artist by the present owner, 2021

In Joseph Walsh’s own words, the “Lilium” series explores the tension between the ordered and the chaotic, the geometric and the lyrical: from the perfect, controlled symmetry of the bulb to the effusion of its freed form. Works from the series, much like the present unique table, are one-of-a-kind pieces created for site-specific commissions or exhibitions, and realized through an intuitive engagement between the artist and his patrons. 

Sydell Miller’s enthusiasm for the work of the Irish sculptor started when she first encountered one of his works at an art fair. The commission of two site-specific low tables ensued, including the present lot, with Walsh designing the pieces with the proportions of her sitting rooms in mind. As functionality was primordial to the patron, Walsh included to the design unique molded glass insets punctuating the top, ensuring that objects could be placed on its surface. In fact, Miller provided the artist with a curated list of objects that she wished to place on the tables.

The ebonized bentwood, characteristic of Joseph Walsh’s practice, beautifully complements the crystal inclusions, which turned out to be the most technically challenging part of the production process. A relatively new technique for the artist at the time, Walsh collaborated with famed Waterford crystal manufacturer and the Corning Museum of Glass in the production and molding of each unique glass element, shaped like delicate teardrops. The commission was an opportunity for Walsh to not only experiment with glass in an innovative way, but to also "push the materials to their limit". 

The result, as evidenced here, is an exceptional work of functional sculpture that cultivates uniquely sensorial properties. The present “Lilium” table exemplifies Walsh’s approach in relinquishing control over the materials to favor greater freedom and unpredictability in his practice. Infusing techniques from his broad and deep understanding of other traditional craft methods, the result is a highly tactile work of free-flowing movement that erupts into glorious, abstract shapes.