Christian Marclay

Paula Cooper Gallery, New York

Acquired from the above in May 2011 by the present owner

La Biennale di Venezia, vol. 48, Esposizione internazionale d'arte, Venice, Italy, 1999, p. 108-109, another example illustrated

Richard Vine, ed., Art in America, September 2003, p. 90, another example illustrated

Philip Sherburne, "Christian Marclay’s Cochlear Implants," Parkette, vol. 70, 2004, p. 32, another example illustrated

U. Autenrieth, A. Blattler, R. Buschauer, D. Gassert, eds., Dis Connecting Media, Basel 2011, p. 209, another example illustrated

Jon Knowles and Cheryl Sim, eds., DHC/ART LIBRE, Montreal 2018, p. 44, another example illustrated

Barbara Staubli and Barbara Hatebur, eds., The Julius Baer Art Collection, Zurich 2020, p. 205, another example illustrated

Kristen Shepherd, Museum of Fine Arts, St. Petersburg: Handbook of the Collection, New York 2021, p. 204, another example illustrated

Geijutsu Shincho, vol. 1, Japan, January 2023, p. 45, another example illustrated

Los Angeles, Museum of Contemporary Art; Columbus, Wexner Center for the Arts; Rome, Palazzo Delle Esposizioni; Chicago, Museum of Contemporary Art, Hall of Mirrors: Art and Film since 1945, March 17 - January 1998

Kunsthaus Zürich, Arranged and Conducted, September - October 1997

Columbus, The Wexner Center for the Arts, Videotheque: New Television, April 1997

New York, Paula Cooper Gallery, Christian Marclay: Telephones, December 1999 - January 2000

Wuppertal, Von der Heydt Museum; Münich, Haus der Kunst,Talk Show, March - January 2000

Venice, La Biennale di Venezia, dAPERtuto, 1999

Lyon, Musée d’art Contemporain, Musique en Scène, 1999

Berlin, Galerie Barbara Thumm; Karlsruhe, The Badischer Kunstverei; Budapest, House of Contemporary Arts Trafo; Krakow, Gallery for Contemporary Art Bunkier Sztuki; London, Lux Centre, Group Video Exhibition, March 2000 - 2001

Roskilde, Museet for Samtidskunst, Christian Marclay: Video & Photography, March - May 2000

Baltimore, Contemporary Museum, Making Sense: Ellen Gallagher, Christian Marclay, Liliana Porter, May - August 2000

British Columbia, Presentation House Gallery, Christian Marclay, September - October 2000

Umeå, Galleri Stefan Andersson, Umedalen Skulptur 2000, June - September 2000

Paris, Centre Georges Pompidou; Rome, Palais des Expositions; Centre de Cultura Contemporania de Barcelona, Le temps, vite!, January 12 - February 2001

Boston, Barbara Krakow Gallery, Print Publishers’ Spotlight, October - November 2000

Saratoga Springs, Skidmore College, The Tang Teaching Museum and Art Gallery, S.O.S: Scenes of Sounds, October 2000 - January 2001

Ontario, Oakville Galleries, Christian Marclay: Asynchronous, December 2000 - February 2001

Mai, Bienal Maia, URBANLAB.BienalMaia-2001, June - July 2001

St. Louis Art Museum, Currents 84: Christian Marclay, April - June 2001

Wilmington, Delaware Center for Contemporary Art, Telephones, July - September 2001

Jerusalem, 18th Jerusalem Film Festival, July - July 2001

Fullerton, California State University, Main Art Gallery, Recasting the Past: Beneath the Hollywood Tinsel, September - October 2001

Geneva, MAMCO & Centre pour l’Image Contemporaine, 9th Biennal of the Moving Image, November 2001

Scottish Arts Council, Traveling Gallery, Pigeon Post, February - June 2002 

Barcelona, Sonar Festival/Advanced Music, Sonarmonica, June 2002

Williamstown, Williams College Museum of Art, Old New Technologies, April - June 2002

UCLA Hammer Museum; Annandale-on-Hudson, Bard Center for Curatorial Studies; Seattle Art Museum; Kunstmuseum Thun; Avignon, Collection Lambert; London, Barbican, Christian Marclay, May 2003 - May 2005, p. 126 (another example illustrated)

The University of Texas at Austin, Blanton Museum of Art, Projections: Allegories of Cinema, June - July 2003

Paris, Le Palais de Tokyo, Playlist, February - April 2004, p. 175 (another example illustrated)

North Miami, Museum of Contemporary Art; Milwaukee Art Museum; Tulsa, Philabrook Museum of Art, Cut: Film as Found Object, January - March 2006

Monaco, Grimaldi Forum, New York, New York, July - September 2006

Belgrade, 47th October-Art-Salon, Art, Life and Confusion, September - November 2006

Paris, Cité de la Musique; Salamanca, Domus Artium 2002 (DA2); Melbourne, Australian Centre for the Moving Image (ACMI), Christian Marclay: Replay, March - December 2007, pp. 4-9 (another example illustrated in color)

Montreal, DHC/ART Foundation for Contemporary Art, Christian Marclay: Replay, November 2008 - March 2009

Drogheda, Highlanes Gallery, Flicks – the cinematic in art, April - June 2009

São Paulo, Paço das Artes, Zero Grau, July - September 2009

Basel, Kunst und neue Medien, Pronto! Art and Telephony, September - November 2009

Lewiston, Bates College Museum of Art, Dialogue, January - March 2011 

Contemporary Arts Museum Houston, Perspectives 178: Cineplex, April - July 2012

Jonesboro, Arkansas State University, Bradbury Gallery, The Human Condition, August - September 2012

Scottsdale Museum of Contemporary Art, Mashup: New Video Art, February - May 2013

Aarau, Aargauer Kunsthaus, Rhythm in it: On rhythm in contemporary art, May - August 2013

Raleigh, Nasher Museum of Art at Duke University, The Cinematic Impulse, June - September 2013

New York, National Academy Museum, Annual 2014: Redefining Tradition, June - September 2014

Raleigh, North Carolina Museum of Art, August 2014 - January 2015

São Paulo, Oca do Ibirapuera, Invento, August - October 2015

New York, Whitney Museum of American Art, America Is Hard to See, May - September 2015

Denver Art Museum, Showing Off: Recent Modern & Contemporary Acquisitions, May 2015 - January 2016

Columbus, The Wexner Center for the Arts, Picture Lock: 25 Years of Film/Video Residencies at the Wex, November 2015 

The Museum of Fine Arts St. Petersburg, Christian Marclay: Telephones and Sound Holes, January - May 2016

Vancouver Art Gallery, MashUp: The Birth of Modern Culture, February - June 2016

New York, Annandale-on-Hudson, Bard College, Hessel Museum of Art, Invisible Adversaries, June - September 2016, p. 79 (another example illustrated)

Philadelphia Museum of Art, Embracing the Contemporary: The Keith L. and Katherine Sachs Collection, June - September 2016, p. 35, no. 14, pl. 10 (another example illustrated in color)

Santa Barbara Museum of Art, Telephones, January 2017

Boston, Barbara Krakow Gallery, One Wall, One Work: Christian Marclay: Telephones, March - April 2017

SUNY New Paltz, SUNY Cortland; Alfred University; SUNY Plattsburgh; Stony Brook University; Westchester Community College, Innovators and Activists: Celebrating Three Decades of New York State Council on the Arts/New York Foundation for the Arts Fellowships (organized by the New York Foundation for the Arts), August 2017 - Spring 2020, p. 38 (another example illustrated)

New York, Paula Cooper Gallery, Christian Marclay: Phones, September - October 2017

New York, 601Artspace, I Can’t Tell You Because I Can’t Tell You, September - November 2017

Center for Art and Media Karlsruhe, Art in Motion. 100 Masterpieces with and through Media. An Operative Canon, July 2018 - February 2019

Melbourne, National Gallery of Victoria, MoMA at NGV: 130 Years of Modern and Contemporary Art (co-organized by The Museum of Modern Art, New York and the National Gallery of Victoria, Melbourne), June - October 2018

Düsseldorf, On Display IV, Sammlung Philara, September 2019 - Summer 2020

San Francisco, Fraenkel Gallery, I'm Not the Only One, September - October 2020

Buenos Aires, Proa Foundation, La Suite, July - November 2021

New York, PS122 Gallery, Media Relay: An Exhibition in Two Parts (presented by the National Academy of Design), January - February 2022

St. Petersburg, Museum of Fine Arts, Borrow and Steal: Appropriation from the Collection, September 2022 - February 2023

Paris, Centre Pompidou, Christian Marclay, November 2022 - February 2023, no. 21 (another example illustrated)

Davenport, Figge Art Museum; Minneapolis, University of Minnesota, Weisman Art Museum; Grand Rapids Art Museum, University of West Florida, Pensacola Museum of Art, Madison, University of Wisconsin, Chazen Museum of Art, Message from our Planet, October 2022 - June 2024

Nanjing, The Cloud Collection, A Theatre of Waiting, November 2023 – May 2024, p. 3 (another example illustrated)