Arts d'Asie

Arts d'Asie

View full screen - View 1 of Lot 197. An inscribed copper alloy Jain shrine depicting Tirthankara Mahavira, India, Gujarat, dated Samvat 1521 (1464 CE) | 印度古吉拉特邦 印度曆1521年(西元1464年)銅耆那蒂爾丹嘉拉筏馱摩那坐像神龕.

An inscribed copper alloy Jain shrine depicting Tirthankara Mahavira, India, Gujarat, dated Samvat 1521 (1464 CE) | 印度古吉拉特邦 印度曆1521年(西元1464年)銅耆那蒂爾丹嘉拉筏馱摩那坐像神龕

Auction Closed

June 14, 03:20 PM GMT

Estimate

25,000 - 35,000 EUR

Lot Details

Description

An inscribed copper alloy Jain shrine depicting Tirthankara Mahavira

India, Gujarat, dated Samvat 1521 (1464 CE)


Height 42 cm, 16½ in.

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Sanctuaire jaïn en alliage de cuivre inscrit représentant Tirthankara Mahavira, Inde, Gujarat, daté Samvat 1521 (1464 apr. J.-C.)

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印度古吉拉特邦 印度曆1521年(西元1464年)銅耆那蒂爾丹嘉拉筏馱摩那坐像神龕

European Private Collection, 1980s. 

Private Collection, acquired in 1997.

American Private Collection, 2008 - 2015.

Bonhams New York, 14th March 2016, lot 75.

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歐洲私人收藏,得於1980年代初

私人收藏,1997年

美國私人舊藏,2008至2015年

紐約邦瀚斯,2016年3月14日,編號75

Arte sagrado de las tradiciones índicas hinduismo budismo y jainismo, Caixa, Girona/Casa Asia, Barcelona, 2005, cat. no. 24.

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《 Arte sagrado de las tradiciones índicas hinduismo budismo y jainismo》,凱克薩,赫羅納/ 亞洲之家,巴塞隆納,2005年,編號24

The plaque is cast in one depicting Mahāvira beneath a parasol, seated on a colonnaded pedestal flanked by seated and standing Jina and surrounded by registers of seated Jina. An engraved panel at the front depicts a stylised lion, the emblem of Jina Mahāvira. The back of the pedestal is inscribed in devanāgarī with the date Samvat 1521 (CE 1464). Compare the format with a copper alloy shrine depicting Parsvanatha surrounded by multiple Jina in the Norton Simon Foundation, see Pratapaditya Pal, The Peaceful Liberators: Jain Art from India, Thames and Husdon, 1994, cat. 37. The multiple images of Jina reflect the twenty-four Tirthankara of the Past, the twenty-four of the Present, and the twenty-four of the Future. Dr. Pal notes that the concept of such shrines with multiple images differs little to the merit gained in the depiction of myriad Buddhas and linga in Buddhist and Shaiva contexts, ibid. p. 150.