Ansel Adams: A Legacy | Photographs from the Meredith Collection
Ansel Adams: A Legacy | Photographs from the Meredith Collection
‘Tenaya Creek, Dogwood, Rain, Yosemite Valley, California’
Auction Closed
October 16, 07:11 PM GMT
Estimate
15,000 - 25,000 USD
Lot Details
Description
Ansel Adams
1902 - 1984
‘Tenaya Creek, Dogwood, Rain, Yosemite Valley, California’
gelatin silver print, mounted, signed in pencil on the mount, the photographer’s Carmel studio stamp (BMFA 11), with title and date in ink, on the reverse, framed, The Cleveland Museum of Art exhibition label on the reverse
image: 15⅛ by 20⅜ in. (38.4 by 51.8 cm.)
Executed circa 1948, probably printed between 1973 and 1977.
The Estate of the photographer to The Friends of Photography, Carmel, 1984
Acquired from the above, 2002
Liliane de Cock, ed., Ansel Adams (Hastings-on-Hudson, 1972), pl. 69
John Szarkowski, The Portfolios of Ansel Adams (New York and Boston, 1977), p. 42
Ansel Adams, Ansel Adams: Yosemite and the Range of Light (Boston, 1979), pl. 32
Ansel Adams and Robert Turnage, Celebrating the American Earth: A Portfolio by Ansel Adams (Washington, D. C.: The Wilderness Society, 1980), unpaginated
Ansel Adams, The Camera (Boston, 1980), fig. 1-1
James Alinder and John Szarkowski, Ansel Adams: Classic Images (Boston, 1985), pl. 47
Andrea Gray Stillman, ed., Ansel Adams: The American Wilderness (Boston, 1990), pl. 45
Andrea Gray Stillman and William A. Turnage, eds., Ansel Adams: Our National Parks (Boston, 1992), p. 62
Andrea Gray Stillman, ed., Yosemite: Ansel Adams (Boston, 1995), p. 10
Janet Swan Bush, ed., Trees (Boston, 2004), p. 82
Amy Scott, ed., Yosemite: Art of an American Icon (Berkeley, 2011), p. 191
Katherine Ware, Earth Now: American Photographers and the Environment (Santa Fe: Museum of New Mexico, 2011), pl. 2
Shanghai, Shanghai Gallery, People’s Exhibition Hall, Ansel Adams: Photographer, February 1983; and traveling thereafter to: Beijing, National Museum of Art, March 1983; Tokyo, Odakyu Store Art Gallery, June 1983; Hong Kong Arts Centre, July – August 1983; San Diego, Museum of Photographic Arts, June – August 1984; Haifa, Museum of Modern Art, May – August 1987
San Francisco, Ansel Adams Center, Ansel Adams and the National Parks, June – September 1992
San Francisco, Ansel Adams Center, Ansel Adams, a Legacy: Masterworks from the Friends of Photography Collection, March – June, 1997, and traveling thereafter to: Chattanooga, Tennessee, Hunter Museum of Art, July – September 1997; Louisville, Kentucky, J. B. Speed Museum, September – November 1998; Japan, Nihombashi, Mitsukoshi Department Store Gallery, March, 1999; Japan, Ehime Prefecture Museum, June – July 1999; Japan, Toyama Prefecture, Tonami City Museum, July – August 1999; Japan, Hokkaido, Kushiro Art Museum, September – October 1999; Japan, Kawasaki City Museum, October – December 1999; Cincinnati, Ohio, Cincinnati Art Museum, May – August 2000
Billings, Montana, Yellowstone Art Museum, Ansel Adams: a Legacy, October 2002 – January 2003 and traveling thereafter to: University of Texas at Austin, Harry Ransom Center, Ansel Adams: a Legacy, August 2005 – January 2006; Loretta and Ligonier, Pennsylvania, The Southern Alleghenies Museum of Art, March – November 2006; Cleveland, Ohio, Cleveland Institute of Art, May – August 2007; Tucson Museum of Art, October 2009 – February 2010; Missoula, Montana, Missoula Art Museum, October 2011 – April 2012; Helena, Montana, The Holter Museum of Art, January – April 2013; Charlottesville, Virginia, University of Virginia, The Fralin Museum of Art, June – October 2013
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