(Women) Artists

(Women) Artists

View full screen - View 1 of Lot 1. 'Woman's Work' A Medley.

Property from a British Private Collection

Florence Claxton

'Woman's Work' A Medley

Lot Closed

March 16, 02:01 PM GMT

Estimate

15,000 - 20,000 GBP

Lot Details

Description

Property from a British Private Collection

Florence Claxton

British

1838-1920

'Woman's Work' A Medley


indistinctly signed, dated and inscribed Florence Anne Claxton / 1861 / sold on a label attached to the stretcher and indistinctly inscribed with verses from Aesop’s Fables on a label attached to the stretcher 

oil on canvas

Unframed: 51 by 76.5cm., 20 by 30in.

Framed: 73.5 by 100cm., 29 by 39¼in.

Sale: Sotheby's, London, 23 November 1982, lot 57

Purchased at the above sale by the present owner

John Bull, 23 March 1861, p. 187

London City Press, 22 June 1861, p. 6

Manchester Courier and Lancashire General Advertiser, 18 March 1874, p. 8

Frances Bonner, Lizbeth Goodman, Richard Allen, Linda Janes and Catherine King (eds.), Imagining Women: Cultural Representations and Gender, Cambridge, 1992, pp. 173-175

Antony H. Harrison and Beverly Taylor (eds.), Gender and Discourse in Victorian Literature and Art, Illinois, 1992, pp. 226-230, illustrated

Susan P. Casteras and Linda H. Peterson, A Struggle for Fame: Victorian Women Artists and Authors, New Haven, 1994, pp. 29-30

Jan Marsh and Pamela Gerrish Nunn, Pre-Raphaelite Women Artists, Manchester City Art Galleries, 1997, p. 10

Deborah Cherry, Beyond the Frame, Feminism and Visual Culture, Britain 1850-1900, London and New York, 2012, pp. 37-47, illustrated

Kyriaki Hadjiafxendi and Patricia Zakreski (eds.), Crafting the Woman Professional in the Long Nineteenth Century, Artistry and Industry in Britain, London and New York, 2016, pp. 115-117

Charlotte Yeldham, The British Art Journal, vol. 20, no. 3, 2019/2020, pp. 88-97