Treasured by the Yongle Emperor: The T.Y. Chao Blue and White Ewer

Treasured by the Yongle Emperor: The T.Y. Chao Blue and White Ewer

View full screen - View 1 of Lot 101. A unique and outstanding imperial blue and white 'dragon' ewer, Ming dynasty, Yongle period | 明永樂 御製青花雲龍紋執壺.

Property from a Distinguished Asian Collection | 亞洲顯赫私人珍藏

A unique and outstanding imperial blue and white 'dragon' ewer, Ming dynasty, Yongle period | 明永樂 御製青花雲龍紋執壺

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Property from a Distinguished Asian Collection

A unique and outstanding imperial blue and white 'dragon' ewer, 

Ming dynasty, Yongle period

亞洲顯赫私人珍藏

明永樂 御製青花雲龍紋執壺


22.5 cm


masterfully constructed with striking precision and the upper elements of the vessel forming a straight line, the pear-shaped body resting on a splayed foot and rising to a slender neck and flared, galleried rim, flanked by a slender curved spout and a grooved strap handle with an eyelet for attachment to the cover, each main side of the vessel gently flattened and decorated with a subtly raised peach-shaped panel painted in rich cobalt-blue tones with a powerfully rendered five-clawed dragon soaring with an upturned head amidst flaming wisps detailed with ruyi-heads, the two dragons skilfully portrayed in direct mirror image, all above a frieze of stylised cloud scrolls encircling the lower body above the key-fret bordered footrim, all below borders of lotus petals and foliate motifs around the neck, interrupted by the strap handle on one side where it joins the neck, the handle elegantly formed with a ruyi-head terminal where it meets the body of the vessel, further painted along its length with a foliate lotus scroll, all enclosed within a double-line border, the lotus motif echoed on the opposite side at the base of the spout and rendered in a barbed cartouche enclosing exquisitely painted meandering lotus scrolls


執壺胎質淨白,釉層晶瑩,撫之如脂,讓人愛不釋手。器呈梨式,頸細口外撇,肩垂腹扁圓,壺流纖細婉麗,與執柄曲弧相得益彰,整體比例恰到好處,賞心悅目。器腹兩面微隆作桃式開光,濃青妙繪,畫五爪雲龍,如鏡像對照,昂首壺流一方,傾倒時恰好凝視瓊漿。龍目圓瞪,短髮揚起,彷彿剛從高空俯身降臨,旋即展腿張爪,便欲仰首騰飛,祥雲縈繞,英姿矯健。身置桃式開光中,構圖飽滿,卻不感拘束,自在傲翔。從器頸至足牆,輔飾蓮瓣、卷草、回紋等,呼應流根菱式開光及柄上的纏枝蓮紋,渾然一體,極具巧思。永樂重器,傳世孤品,奠定明代御瓷龍紋基礎,誠皇權象徵的極致。

Hugh Moss Ltd, London.

Sotheby's London, 8th July 1974, lot 199.

Sotheby's London, 5th July 1977, lot 205.

Collection of T.Y. Chao (1912-1999), Hong Kong.

T.Y. Chao Family Trust property, no. 13.

Sotheby's Hong Kong, 19th May 1987, lot 228 and dust jacket.


莫士撝,倫敦

倫敦蘇富比1974年7月8日,編號199

倫敦蘇富比1977年7月5日,編號205

趙從衍(1912-1999年)收藏,香港

趙從衍家族基金會藏品,編號13

香港蘇富比1987年5月19日,編號228及封套

Ming and Ch'ing Porcelain from the Collection of the T.Y. Chao Family Foundation, Hong Kong, 1978, cat. no. 14.

S.T. Yeo and Jean Martin, Chinese Blue and White Ceramics, Singapore, 1978, col. fig. 3.

Sotheby's Hong Kong Twenty Years, 1973-1993, Hong Kong, 1993, pl. 52.

Sotheby's. Thirty Years in Hong Kong, Hong Kong, 2003, pl. 209.


《趙從衍家族基金會珍藏明清瓷器展覽圖錄》,香港,1978年,編號14

楊勝德及馬紀恩,《中國青花瓷器》,新加坡,1978年,彩圖3

《香港蘇富比二十週年》,香港,1993年,圖版52

《香港蘇富比三十週年》,香港,2003年,圖版209

Ming and Ch'ing Porcelain from the Collection of the T.Y. Chao Family Foundation, Hong Kong Museum of Art, Hong Kong, 1978.


《趙從衍家族基金會珍藏明清瓷器》,香港藝術館,香港,1978年