The Mei Yun Tang Collection Of Paintings By Chang Dai-chien — From Heritage to Breakthrough
The Mei Yun Tang Collection Of Paintings By Chang Dai-chien — From Heritage to Breakthrough
梅雲堂藏張大千畫 — 不負古人告後人︳The Mei Yun Tang Collection Of Paintings By Chang Dai-chien — From Heritage to Breakthrough
Zhang Daqian (Chang Dai-chien, 1899-1983)
張大千 檳榔嶼 | Zhang Daqian, Penang
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Auction Closed
December 9, 10:09 AM GMT
Estimate
5,000,000 - 10,000,000 HKD
Lot Details
Description
張大千 (1899-1983)
檳榔嶼
設色紙本 立軸 一九六三年作
高嶺梅署簽
簽書：檳榔嶼。大千八兄游馬來亞作，嶺梅藏。
款識：
檳城吾愛松園好，大木千章海接天；欲與群公借涼月，暫安筆硯寫林泉。歲癸卯清明前日，與嶺梅、雲白伉儷南來檳榔嶼，駱清泉、周曼沙、蕭遙天、許偉乾、崔大地、許延義、溫梓川、林思曼諸公約遊海濱松園，嘆其勝概，有王叔明〈林泉清集〉意致。因拈小詩並圖，以記斯遊。大千張爰，時在暢春簃。
鈐印：「張爰」、「大千父」。
165 x 82.4 cm. 65 x 32½ in.
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Zhang Daqian (Chang Dai-chien, 1899-1983)
Penang
ink and colour on paper, hanging scroll, 1963
with two seals of the artist. Titleslip by Kao Ling-mei
Inscription:
On Penang (Island), my favorite is the beautiful Song Yuan (Pine Villa);
There are huge trees, thousands in number, and the sea touches the sky.
I want, together with the various masters, under the cool moon,
To depict the groves and streams with the brush and inkstone.
On the eve of the Qingming Festival in the guimao year, I went to Penang Island with Ling-mei and his wife Yun-bor. Messrs. Luo Qingquan, Zhou Mansha, Xiao Yaotian, Xu Weiqian, Cui Dadi, Xu Yanyi, Wan Zichuan and Lin Siman asked us to join them in a visit to the Pine Villa by the sea. The beautiful scenery approximated the depiction in Wang Shuming's (Wang Meng's) Linquan qingji. So, with this short poem and painting, I recorded the visit. Dai-chien Chang Yuan at Changchunyi.
165 x 82.4 cm. 65 x 32½ in.
〈中國報〉（馬來亞，吉隆坡，一九六三年六月十四日）
〈張大千畫展〉（香港，東方藝術公司，一九六四年九月），曼谷展品目錄編號58
〈張大千畫展〉（香港，東方藝術公司，一九六五年二月），合艾展品目錄編號58
〈張大千畫集〉（東方學會，一九六七年一月），頁99
〈梅雲堂藏張大千畫〉目錄，高美慶編（香港，香港中文大學文物館，一九九三年四月），圖版118
〈香港梅雲堂所藏張大千之繪畫〉目錄（東京，澀谷區立松濤美術館，一九九五年），圖版116
〈畫壇師友錄〉，黃苗子著（臺北，東大圖書股份公司，一九九八年二月），頁114
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China Press, Kuala Lumpur, Malaya, 14 June 1963
Exhibition of Paintings by Chang Dai-chien, exhibition catalogue, East Art Co., Hong Kong, September 1964, Bangkok exhibit no. 58
Exhibition of Paintings by Chang Dai-chien, exhibition catalogue, East Art Co., Hong Kong, February 1965, Haadyai exhibit no. 58
The Painting Collection of Zhang Daqian, The East Society, January 1967, p. 99
The Mei Yun Tang Collection of Paintings by Chang Dai-chien, edited by Kao Mayching, The Chinese University of Hong Kong, Art Gallery, Hong Kong, April 1993, pl. 118
The Mei Yun Tang Collection of Paintings by Chang Dai-chien, Shoto Museum of Art, Japan, 1995, pl. 116
Teachers and Friends in the Art Circle, written by Huang Miaozi, Tung Tai Book Company, Taipei, February 1998, p. 114
馬來亞，吉隆坡，語文局，〈張大千畫展〉，一九六三年六月二十四日至七月二日
馬來亞，怡保，古岡州公會，〈張大千畫展〉，一九六三年十一月九日至十六日
馬來亞，檳城，檳城博物院，〈張大千畫展〉，一九六三年十二月二十日至一九六四年一月二日
泰國，曼谷，介壽堂及京華銀行，〈張大千畫展〉，一九六四年九月十二日至二十五日
泰國，合艾，客屬會館，〈張大千畫展〉，一九六五年二月二日至八日
香港，香港中文大學文物館，〈梅雲堂藏張大千畫〉，一九九三年四月十七日至五月二十三日
日本，東京，澀谷區立松濤美術館，〈香港·梅雲堂所藏張大千之繪畫〉，一九九五年四月五日至五月二十一日
新加坡，新加坡美術館，〈梅雲堂藏張大千畫〉，一九九七年二月二十八日至四月二十七日
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Malaya, Kuala Lumpur, Dewan Bahasa Dan Pustaka, Exhibition of Paintings by Chang Dai-chien, 24 June-2 July, 1963
Malaya, Ipoh, Ku Kong Chow Kung Wai, Exhibition of Paintings by Chang Dai-chien, 9-16 November 1963
Malaya, Penang, Penang Museum, Exhibition of Paintings by Chang Dai-chien, 20 December 1963 – 2 January 1964
Thailand, Bangkok, Kai Shou Hall & Metropolitan Bank, Exhibition of Paintings by Chang Dai-chien, 12-25 September 1964
Thailand, Haadyai, Hakkas Association Auditorium, Exhibition of Paintings by Chang Dai-chien, 2-8 February 1965
Hong Kong, The Chinese University of Hong Kong, Art Gallery, The Mei Yun Tang Collection of Paintings by Chang Dai-chien, 17 April-23 May 1993
Japan, Tokyo, Shoto Museum of Art, The Mei Yun Tang Collection of Paintings by Chang Dai-chien, 5 April-21 May 1995
Singapore, Singapore Art Museum, The Mei Yun Tang Collection of Paintings by Chang Dai-chien, 28 February-27 April 1997
註：一九六三年三月，〈張大千畫展〉假新加坡舉行，畫家首度踏足星洲，並偕高嶺梅、詹雲白伉儷同遊南洋，足跡遍及檳城、怡保等地，期間甚少涉足鬧市，寄情於金馬崙高原、福隆港、咖啡山、升旗山等自然風光。本幅屬此行紀遊作品之一，取景處「松園」，位於峇都丁宜，乃著名海濱風景線，亦渡假勝地。題中所及駱清泉、蕭遙天等同遊者，皆新馬藝文界人士。
蕭遙天於同年七月三日在〈南洋商報〉刊載之〈寄情花草的張大千先生〉，即述及畫家慕名而赴松園之經過：「他很贊美峇都丁宜的松園，認為此地靜雅澄澈，可消永日，他到那裡的動機是聽說那裡盡植落葉松。及至步臨樹下，撫撫樹葉，他笑著說：『這不是松樹，學名叫做木麻黃。』又說：『在中國，木麻黃在大風中搖蕩，所發的聲音比松濤更熱鬧，也是很富詩意的樹。』」
木麻黃，形似松樹，但屬木麻黃科，樹高且堅硬，以頑強生長力見稱，因耐旱、耐鹽、抗風沙，多植於沿岸地區以防風固沙。畫中喬木高聳挺拔，鬱然成林，遮蔽近半前景，蔥蘢間僅露屋檐瓦頂，即松園酒店一角。極目處一抹遠汀，飄渺隱現，中為留白，帶出一片汪洋，略綴三兩帆影，頓見曠朗幽邈之境。隔渚礁灘，雜樹成叢，數株棕櫚，不與群類，悠然屹立，無疑屬南洋熱帶風情寫照。全畫設色雅淡，近樹遠者，皆薄染花青，一派蒼鬱清潤，窮盡檳城海濱之清新氣象。美景當前，新知舊雨同聚，自是快慰，難怪大千置身異地，也能聯想王蒙〈林泉清集〉之意境。
參考資料：〈寄情花草的張大千〉，蕭遙天撰，刊載於〈南洋商報〉，一九六三年七月三日
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