ROYÈRE X WARHOL: Art and Design from the Collections of Peter M. Brant and Stephanie Seymour

ROYÈRE X WARHOL: Art and Design from the Collections of Peter M. Brant and Stephanie Seymour

View full screen - View 1 of Lot 536. “Aragon” Low Table.

Jean-Michel Frank

“Aragon” Low Table

Auction Closed

December 12, 05:07 PM GMT

Estimate

250,000 - 350,000 USD

Lot Details

Description

Jean-Michel Frank

“Aragon” Low Table


circa 1934

produced by Chanaux & Co., France

limed oak

partially marked in pencil JM Frank and numbered 15_72

11⅛ x 45¼ x 21½ in. (28.3 x 114.9 x 54.6 cm)

Christie’s New York, December 12, 1987, lot 321
DeLorenzo Gallery, New York
Christie’s New York, June 15, 2004, lot 129
Private Collection
Phillips New York, June 15, 2012, lot 33
Léopold Diego Sanchez, Jean-Michel Frank, Paris, 1997, pp. 167 and 212-14
Pierre-Emmanuel Martin-Vivier, Jean-Michel Frank, Paris, 2006, p. 285
Pierre-Emmanuel Martin Vivier, Jean-Michel Frank: the strange and subtle luxury of the Parisian haute-monde in the Art Deco period, New York, 2008, p. 69
Pierre-Emmanuel Martin-Vivier, Jean-Michel Frank: un décorateur dans le Paris des années 30, Paris, 2009, p. 101

This lot is offered together with a certificate of authenticity from the Comité Jean-Michel Frank.


Jean-Michel Frank's "Aragon" table, whose name is said to be borrowed from its first patron, French poet Louis Aragon, is an emblematic example of the style defined by the decorator in the 1920s and 1930s. The first example of an "Aragon" table was created by Frank in 1930 as part of Édouard Bourdet's living room design at the villa Blanche in Tamaris. In 1936, he placed the form in Raymond Patenôtre's living room at his villa in Nice, surrounded with a "Baluster" vase, a "Grecque" lamp and Alberto Giacometti's "Pomme de Pin" floor lamp.


While Frank's interiors are stripped of all superfluous material, his furniture follows the same intention of simplicity and elegance. In the present table, the oak is sanded, engraved and carved, giving the furniture a primitive look and revealing the material in its nearly raw state. In the designer's interiors, his furniture, like Alberto Giacometti's objects and lights, seems to have originated from other civilizations. Their archaic forms and the simplicity of the materials define Jean-Michel Frank's unique sense of modernity in the 1920s and 1930s. The present lot is a superb example of this rare and celebrated form that encapsulates the designer's exceptional craftsmanship and talents as a tastemaker.