Old Master & 19th Century Paintings Evening Auction
Old Master & 19th Century Paintings Evening Auction
The Property of the Rt Hon. The Earl of Jersey
Portrait of Robert Devereux, 2nd Earl of Essex (1567–1601)
Auction Closed
July 5, 07:17 PM GMT
Estimate
100,000 - 150,000 GBP
Lot Details
Description
The Property of the Rt Hon. The Earl of Jersey
Sir William Segar
active in England 1580–1633 London
Portrait of Robert Devereux, 2nd Earl of Essex (1567–1601)
inscribed, upper right and left: EARLE OF / ESSEX
oil on oak panel, arched top
84.4 x 56.5 cm.; 33¼ x 22¼ in.
By direct descent to William Sheldon (1715–1780);
His posthumous sale ('A catalogue of the Elegant and Rich Houshold [sic] Furniture [... ] pictures [...] of the late William Sheldon, esq; dec. at his seat, called Weston, near Long Compton, in the County of Warwick'), on the premises, Weston House, Warwickshire, Christie's, 27 August – 11 September 1781, lot 45 for £1.1s.0d to W. Selby;
With Horatio Rodd, London, 1824;
With Moon, Boys & Graves, London, 1853 (according to the Scharf sketchbook);
From whom probably acquired by Lady Sarah Sophia Fane, 5th Countess of Jersey (1785–1867), who married George Child-Villiers, 5th Earl of Jersey and 8th Viscount Grandison (1773–1859), 38 Berkeley Square, London, and Middleton Park, Oxfordshire, where recorded by Sir George Scharf, 23 May 1861, as 'Earl of Essex (Rob.t Devereux) / in Library');
Thence by descent in the family of the Earls of Jersey at Osterley Park, Middlesex, and Radier Manor, Jersey.
G. Scharf, Sketchbook 59, 1860–1861, MS NPG7/3/4/2/70, National Portrait Gallery, London, October 1860 – May 1861, p. 154 (as 'Earl of Essex (Rob.t Devereux) / in Library');
D.T. Piper, 'The 1590 Lumley Inventory', in The Burlington Magazine, vol. 99, September 1957, p. 300 n. 9;
R. Strong, Tudor & Jacobean Portraits, London 1969, vol. I, p. 2116, reproduced vol. II, pl. 228 (as William Segar?);
R. Strong, The Elizabethan Image, exh. cat., Tate Gallery, London, 1969–70, p. 60, no. 124, reproduced (as William Segar);
R. Strong, The English Icon, London and New York 1969, p. 220, no. 180, reproduced (as William Segar);
C. Daunt, Portrait sets in Tudor and Jacobean England, unpublished dissertation, University of Sussex, 2015, vol. 1, pp. 136–37, vol. 2, p. 233, no. 13 (as derived from the type by William Segar).