Master Sculpture

Master Sculpture

Voir en plein écran - Voir 1 du lot 27. Belvedere Antinous | Antinoüs du Belvédère.

Property from a European private collection | Provenant d'une collection particulière européenne

Italian, Rome, late 18th century, after the Antique | Italie, Rome, fin du XVIIIe siècle, d'après l'Antique

Belvedere Antinous | Antinoüs du Belvédère

Vente aux enchères clôturée

November 15, 06:03 PM GMT

Estimation

20,000 - 30,000 EUR

Description du lot

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Read in English

Description

Italian, Rome, late 18th century

After the Antique

Belvedere Antinous


bronze, dark brown patina

H. 53cm.; 20 ⅞ in.

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Italie, Rome, fin du XVIIIe siècle

D'après l'Antique

Antinoüs du Belvédère


bronze à patine brun foncé

H. 53 cm ; 20 ⅞ in.

Private European collection

This fine bronze is modelled after the monumental ancient marble of The Belvedere Antinous, which was housed in the Belvedere garden by 1545 shortly after it was unearthed and now in the Vatican Museum. The antique marble was first mentioned in 1543 when Pope Paul III purchased it for the Belvedere garden and is today displayed in the Museo Pio-Clementino (inv. no. 907).


The statue’s fame quickly spread outside of Rome and monarchs throughout the sixteenth and seventeenth centuries commissioned their own copies: a mould was made from it for Francois I by Primaticcio in 1545, a bronze cast for Charles I of England by Hubert Le Sueur in 1633, a bronze copy by the Keller Brothers in 1685 and a marble copy presumably by Lacroix in 1682 for Louis XIV and a bronze bust for Philip IV of Spain. The statue was called Antinous, which was a common moniker for all male youths; however, there were alternate, while generally disregarded, theories that it represented Milo or the Genius of a Prince. According to modern scholarly consensus, the statue is now assumed to depict Hermes.


RELATED LITERATURE

F. Haskell and N. Penny, Taste and the Antique (London, 1981) no.4