Important Chinese Art

Important Chinese Art

View full screen - View 1 of Lot 3762. A large huanghuali altar table, Late Ming - early Qing dynasty | 明末至清初 黃花梨夾頭榫平頭案.

Property from an Asian private collection | 亞洲私人收藏

A large huanghuali altar table, Late Ming - early Qing dynasty | 明末至清初 黃花梨夾頭榫平頭案

Auction Closed

April 8, 02:15 PM GMT

Estimate

2,000,000 - 3,000,000 HKD

Lot Details

Description

Property from an Asian private collection

A large huanghuali altar table, 

Late Ming - early Qing dynasty

亞洲私人收藏

明末至清初 黃花梨夾頭榫平頭案


256 by 63 by h. 84.5 cm 

Of simple lines and economic construction, rectangular tables like this are among the most classic types of Ming-style furniture. The present table is particularly remarkable for retaining much of the original lacquer and ramie undercoating. 


What is generally known as an altar table, has in fact a wide variety of uses. It was commonly used as a surface for painting, where an artist can freely use the brush over a long stretch of paper or silk. It can also be placed against a wall inside a scholar's studio to display antiques and objects of enjoyment. Indeed, this type of table is not limited to to the male domain. In a late Ming woodblock printed edition of Qi ting ji [Story of the Flag Pavilion], a lady is depicted doing her sewing work in front of a very similarly designed table (see Lau Chu-Park, Classical Chinese Huanghuali Furniture from the Haven Collection, Hong Kong, 2016, pls 29-31).


Compare with a huanghuali table of slightly larger proportions, sold in our New York rooms, 19th March 1997, lot 383 and again, 23rd March 2011, lot 671; and one sold in our New York rooms, 28 May 1991 lot 372; another altar table of very similar design but longer was sold in these rooms, 6th April 2016, lot 113; an example from the Victoria & Albert Museum is illustrated in Craig Clunas, Chinese Furniture, London, 1988, pl. 28; a table with a pair of single stretchers from the Palace Museum, Beijing is illustrated in Hu Desheng, tr. Curtis Evans, A Treasury of Ming and Qing Dynasty Palace Furniture, vol. 1, Beijing, 2007, pl. 285.


腿足縮進,不連桌角,乃明代經典式樣。此式夾頭榫平頭案源自於傳統木造建築,自宋以來頻頻見諸刊本、繪畫,線條簡潔大方,堪稱中式家具不朽之範。此案案桌形簡質秀,匠師嚴選木材,紋理細膩,尤顯清秀,底部原裝漆皮得以保留,於同類傳世平頭案中更為難得。


此類桌案尺寸不一,當中較大者,可用作畫案,即使佇立揮毫、繪畫巨幅丹青,同樣宜適。然此類平頭案非男性專享,參見十六世紀末至十七世紀初木刻版《列女傳》,見劉柱柏,《明式黃花梨家具:晏如居藏品選》,香港,2016年,頁148,插圖中女主準備於相近桌案上書畫。


相似之例,見紐約蘇富比1997年3月19日,編號383以及2011年3月23日,編號671。另見紐約蘇富比1991年5月28日,編號372。香港蘇富比曾售出一例,較本拍品更長,2016年4月6日,編號113。倫敦維多利亞與艾伯特博物館藏一例,著錄於柯律格,《Chinese Furniture》,倫敦,1988年,圖版28。另見北京故宮博物院藏一對平頭案,著錄於《故宮博物院藏文物珍品全集.明清家具(上)》,北京,2007年,圖版285。