Freddie Mercury: A World of His Own | On Stage

Freddie Mercury: A World of His Own | On Stage

View full screen - View 1 of Lot 134. Freddie Mercury’s platform boots.

Freddie Mercury’s platform boots

Auction Closed

September 7, 04:38 PM GMT

Estimate

3,000 - 5,000 GBP

Lot Details

Description

Freddie Mercury’s platform boots, extensively worn in 1974


a pair of early 1970s black leather calf-length platform boots by Alan Mair with square toe, brown stacked wood heels (8 cm. high), tan leather lining, leather soles and inside leg zip fastening, ‘8’ impressed on sole, no maker’s mark, much worn


The heavy signs of wear on these boots indicates that they were a favourite of Freddie’s worn both on and off stage. This pair of platform boots appear identical to those seen being worn by Freddie on the Dutch TV show AVRO TopPop when Queen performed 'Killer Queen' on 22 November 1974. On that occasion Freddie wore them with the black velvet and sequin jacket he notably wore on the 'Bohemian Rhapsody' video a year later.


Although these platform boots are unmarked, they can be identified as handmade Alan Mair leather boots by their distinctive style.


“I don’t know if you realise, but you’re not considered cool unless you’re wearing Alan Mair boots.” This is how Alan Mair recalls Freddie praising his footware when both men were working in fashion in Kensington Market in the very early 1970s. The two men's lives were closely entwined for several years - Mercury even worked at Mair's boutique - so it is fitting that Freddie's favourite boots came from Mair's workship. Although these platform boots are unmarked, they can be identified as handmade Alan Mair leather boots by their distinctive style.


Alan Mair, a 1960s beat musician from Glasgow, moved into the fashion industry in the late 1960s, opening a stall in Kensington market in 1970. In a recent interview Mair recalled that “I knew a lot of bands so I started making clothes for them.” Mair initially sold leather trousers, then fringed jackets and outfits for men and women, before specialising in handmade leather boots. Mair cornered the market with his shoe and boot designs in the early 1970s and Alan Mair Boots became synonymous with hip fashionistas supplying everyone from Santana, Yes, The Rolling Stones, Deep Purple, Keith Moon, Alex Harvey to David Bowie and Queen. Mair recalled: “One of the best adverts was the Santana double-gate sleeve [1972]. The whole band are sat on this couch and wearing my boots. Early shots of Queen were the same.” 


Mair recounts how in 1970 burgeoning musicians Freddie Mercury and Roger Taylor had their clothes stall opposite his own Kensington market boutique. Freddie told him that he’d been to a party recently where everyone, men, and women, were wearing the boots. Soon afterwards Mair was looking for someone to manage his Kensington store (as Mair's business grew, he could no longer focus on his shop himself) so he called on Freddie to oversee the running of his main boutique. Mair’s store was far busier than Freddie’s own clothes emporium, and now Roger Taylor had moved on from their business Freddie decided to close his own shop down and become Mair’s full-time shop manager.


Mair described Freddie as a good salesman, very quiet and easy going, likeable and modest about his own songwriting career. It was whilst working in the store that Freddie met David Bowie for the first time in 1972 shortly after the release of Ziggy Stardust. Despite the record’s success, Bowie was still very hard up and when he visited the store Alan Mair recalls asking Freddie to fit Bowie with a pair of platform boots for free as Bowie couldn’t afford to buy them himself. Freddie worked in the Alan Mair Boot store between circa 1970 until the release of Queen’s first hit, 'Seven Seas Of Rhye', on 23 February 1974, his wages providing his main source of income before Queen’s commercial success.


The characteristics of the Alan Mair boot are: square toed, with double leather soles and a stacked heel. Famous for their platform boots in particular, Alan Mair’s boots had anything between half an inch to 2-inch platforms. When they did a three-layer sole the middle one was a different colour. For the soles a heavy adhesive was used rather than stitching.


LITERATURE

Phil Sutcliffe, Queen: The Ultimate Illustrated History Of The Crown Kings Of Rock, Voyageur Press, 2009, illus. p.42.

David McLean, ‘The Glasgow Bootmaker Who Ordered Freddie Mercury To Fit David Bowie With A Pair Of Platforms’,, Glasgow Live, 27 March 2022

‘When Freddie Mercury Sold Boots at Kensington Market’ Interview with Alan Mair and Tom Semioli, 25 March, 2020 on You Tube

‘Alan Mair: Bootmaker To The Stars’, Ops & Ops, 18 August 2019

Jacky Smith & Jim Jenkins, Queen As It Began, Omnibus Press, 2022, pp.82-83


SPECIAL NOTICE

No right to reproduce or commercially exploit the copyright or other intellectual property

or image rights in any lot is included with the sale of the lot (including but not limited to

song lyrics, sketches, drawings and garment designs). Queen Productions Limited, Queen

Music Limited and other rights holders reserve all their rights.

 

No right to exhibit in public or reproduce this lot is included with the sale of this lot

without the prior written consent of Queen Productions Limited, who shall act in good faith

to consider any such requests.

(C) 2025 Sotheby's
All alcoholic beverage sales in New York are made solely by Sotheby's Wine (NEW L1046028)