Arts of the Islamic World & India

Arts of the Islamic World & India

View full screen - View 1 of Lot 61. A group of four illustrations from the Devi Mahatmya: Vishnu Battles the Demons Kaitabha and Madhu, India, Mandi, circa 1770.

A group of four illustrations from the Devi Mahatmya: Vishnu Battles the Demons Kaitabha and Madhu, India, Mandi, circa 1770

Auction Closed

October 25, 04:59 PM GMT

Estimate

6,000 - 8,000 GBP

Lot Details

Description

gouache heightened with gold and silver on paper, verso with two lines in black devanagari script, flyleaf bearing Mandi library stamp and with verses in black and red devanagari within red rules and polychrome floral borders


painting: 19.8 by 30.4 cm. (the largest)

Acquired from the Royal Library of Mandi in 1969.
Ex-private collection, Germany.
Sotheby's New York, 19 March 2008, lot 201.


The present group of illustrations is from the first chapter of the Devi Mahatmya and relate the beginning of the story of how Devi, the Great Goddess, assumed her omniscient form as the bearer of Supreme Power or Shakti. 


The narrative begins with Vishnu, pictured here in his Anantasyayin form, lying in yoganidra, a deeply meditative state of consciousness induced by the Great Goddess, on his serpent Sheshanaga in the cosmic ocean, with Brahma issuing from his navel creating the universe. This universal order is threatened by two demons Kaitabha and Madhu who attempt to abduct Brahma and thereby break the cycle of Creation. Brahma then invokes Mahayogini, the Great Goddess, and pleads with her to withdraw from Vishnu so that he may awaken from his meditative sleep and engage the demons. The Goddess acquiesces and as Vishnu awakens his ensuing wrath is terrible. The demons are easily vanquished and cosmic order is restored thanks to the beneficence of Devi.


The Devi Mahatmya is part of the Markandeya Purana which principally relates the myths and legends of Vishnu. This text is significant as one of the earliest Puranas and formed the basis of the Shakti cult which flourished in later times and was particularly popular in the Punjab Hills region.