ArtCrush 2023: Art Auction to Benefit the Aspen Art Museum

ArtCrush 2023: Art Auction to Benefit the Aspen Art Museum

View full screen - View 1 of Lot 57. untitled (burgundy, pink).

Rebecca Ward

untitled (burgundy, pink)

Lot Closed

August 5, 06:56 PM GMT

Estimate

10,000 - 20,000 USD

Lot Details

Description

Rebecca Ward

b. 1984

untitled (burgundy, pink)


Acrylic and dye on stitched canvas

24 by 32 in.

61 by 81.3 cm

Executed in 2023.



Please note that while this auction is hosted on Sothebys.com, it is being administered by the Aspen Art Museum, and all post-sale matters (inclusive of invoicing and property pickup/shipment) will be handled by the Aspen Art Museum. As such, Sotheby’s will share the contact details for the winning bidders with the Aspen Art Museum so that they may be in touch directly post-sale.


As such, there is no buyer's premium in this auction - all sale proceeds will go directly to the Aspen Art Museum to support its programs. Certain amounts paid above the value of the property or services provided may qualify as a tax deductible donation to the museum. Sotheby’s does not offer tax advice. Please consult your tax advisor, and for any tax related inquiries please contact bid@aspenartmuseum.org at the Aspen Art Museum.

Kindly donated by the artist and Peter Blum Gallery, New York

Rebecca Ward (b. 1984, Waco, TX) continues to investigate painting’s multifaceted relationships with object, craft, and dimensionality primarily through deconstructed and sewn canvases. Emphasizing materiality and process, a distinct visual language and formal ambiguity permeates the artist’s works. Ward has expanded her vernacular to include curving and organic forms alongside the hard-edged. Although not direct depictions, she connects abstraction to both the corporeal and the mathematical, with diverse sources of inspiration. These elements coalesce into a spatial play of harmonious proportions and tones that suggest the mirroring of human and natural phenomena. She converges cut planes of painted and dyed canvas at machine-sewn seams that both physically combine and divide the compositions. Creating exuberant environments of grassy greens, silky violets, or variegated maroons, foreground and background are accentuated by lighter washes or raw canvas contrasting with saturated tones. These sections give way to an unraveling of the overall picture in the paintings where she methodically removes sections of horizontal threads. Revealing and obscuring the underlying stretcher bars, Ward emphasizes the multidimensional structure of painting beyond its surface and highlights the structural elements that make it possible.


Rebecca Ward earned a BA at the University of Texas, Austin, TX (2006) and an MFA at the School of the Visual Arts, New York, NY (2012). She currently lives and works in Brooklyn, NY.