ArtCrush 2023: Art Auction to Benefit the Aspen Art Museum

ArtCrush 2023: Art Auction to Benefit the Aspen Art Museum

View full screen - View 1 of Lot 38. Blush Flower.

Nick Moss

Blush Flower

Lot Closed

August 5, 06:38 PM GMT

Estimate

5,000 - 7,000 USD

Lot Details

Description

Nick Moss

b. 1985

Blush Flower


Signed

Welded flower on steel, mixed patina, framed, 2-part clear coat finish

13¼ by 8⅞ by 1 in.

33.6 by 22.5 by 2.5 cm

Executed in 2023.



Please note that while this auction is hosted on Sothebys.com, it is being administered by the Aspen Art Museum, and all post-sale matters (inclusive of invoicing and property pickup/shipment) will be handled by the Aspen Art Museum. As such, Sotheby’s will share the contact details for the winning bidders with the Aspen Art Museum so that they may be in touch directly post-sale.


As such, there is no buyer's premium in this auction - all sale proceeds will go directly to the Aspen Art Museum to support its programs. Certain amounts paid above the value of the property or services provided may qualify as a tax deductible donation to the museum. Sotheby’s does not offer tax advice. Please consult your tax advisor, and for any tax related inquiries please contact bid@aspenartmuseum.org at the Aspen Art Museum.

Kindly donated by Nick Moss and Casterline Goodman

Nick Moss (b. 1985, lives and works in updated NY) was raised in Metamora, Michigan.  Having worked on an intensive crop farm and with an industrial contracting company, Moss studied welding and metal fabrication before relocating to New York City in 2007. In 2008, Moss joined Traeger Wood Pellet Grills and was given full control of creation, concept, and industrial design including re-engineering, where the product was made primarily of steel. By 2014, Moss moved towards pursuing his artistic practice, continuing to experiment with welding and steel which later developed into his unique process of art fabrication today.  Moss makes all his work entirely by hand without studio assistants, through a process that's highly dangerous and requires dexterity and attention to detail while behind a full-face welding helmet.  Moss is based out of upstate New York. 


"I have steel in my blood," Nick Moss said. Given his life-long relationship with steel, his familiarity with it, and his technical mastery of it, it seems inevitable that he chose it as his medium. Moss didn't want to make steel sculptures, as he refined his unorthodox process and explored imagery and narratives. While the recalcitrant, exacting and potentially dangerous medium is not for the fainthearted, Moss found its challenges exhilarating. His production is all made by hand, all one-offs, and it is crucial for him that he executes his works himself.

 

Moss has substituted sheets of steel for canvas and welding guns for paint and brush, deploying them with the same deftness and delicacy as a painter. He also searched for ways to present his "steel paintings," ultimately devising an elegant structural solution. Learning how to appropriately control the flow of heat and gas was also critical to his equivalent of a "brushstroke", since temperature alters the quality of the line, from the granulated and rough to the incised and smooth.