Royal & Noble
Royal & Noble
The Property of the Marquess of Lothian
"The Newbattle Turks": A set of 6 historical portraits comprising: Tamerlane (1336-1405); Bayezid I (1360-1403); Mehmed I (1381-1421); Murad II (1404-51); Bayezid II (1447-1512); Suleiman the Magnificent (1494-1566)
Lot Closed
January 20, 03:18 PM GMT
Estimate
50,000 - 70,000 GBP
Lot Details
Description
The Property of the Marquess of Lothian
Italian School, 17th century
"The Newbattle Turks": A set of 6 historical portraits comprising: Tamerlane (1336-1405); Bayezid I (1360-1403); Mehmed I (1381-1421); Murad II (1404-51); Bayezid II (1447-1512); Suleiman the Magnificent (1494-1566)
each inscribed in Latin with the identity of the sitter;
some inscribed with inventory numbers
all oil on canvas
the largest measuring approx.: 63.5 x 49 cm.; 25 x 19 ¼ in.; the smallest measuring approx.: 57.1 x 44.3 cm.; 22 ½ x 17 ½ in.
(6)
These portraits are based on works from the Giovio Series, the set of 484 likenesses of rulers, statesmen and other figures of note, assembled by the 16th-century Italian Renaissance historian and biographer, Paolo Giovio (1483-1552), who built a museum at Lake Como specifically to house the works. The original series has not survived intact, but copies made for Cosimo I de' Medici between 1552 and 1568 are held at the Galleria degli Uffizi, Florence.
The portrait of Suleiman the Magnificent (1494-1566) exists in several versions - in addition to the Uffizi portrait, which is likewise inscribed with his age '43', there is a portrait, today in the Kunsthistorisches Museum in Vienna, that was copied for the Habsburg Archduke Ferdinand II of Austria between 1578 and 1599 to hang at Schloss Ambras in Innsbruck. A newly discovered version, on copper and not inscribed with the sitter's age, was recently sold in these Rooms, 31 March 2021, lot 58, for £438,500.1 The present painting relates most closely to the portrait in the Uffizi.
William Kerr's (1605-75) legacy to the Lothian collection constituted some 300 pictures, a quantity that is all the more staggering in light of the political upheaval of these decades and William’s relatively small fortune. Chief among his collection were portraits, such as this set - in 1645, for instance, John Clerk (1611-79), Kerr's agent in Europe, refers to his purchase for William of ‘32 pictures off noblemen and uthers in France [sic.]’,2 following the taste for such series of ‘worthies’, that he would have seen in the grand Renaissance collections he encountered on his Tour.
2 6 April 1645, Paris; Clerk to William Kerr, 3rd Earl of Lothian.