Modern & Contemporary Evening Auction
Modern & Contemporary Evening Auction
Property from a Distinguished Private Collection
Camille Pissarro
Matinée d'automne à Eragny
Auction Closed
March 2, 07:38 PM GMT
Estimate
700,000 - 900,000 GBP
Lot Details
Description
Property from a Distinguished Private Collection
Camille Pissarro
1830 - 1903
Matinée d'automne à Eragny
signed C. Pissarro. and dated 1902 (lower right)
oil on canvas
54.4 by 65.1cm., 21½ by 25½in.
Painted in 1902.
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知名私人收藏
卡米耶・畢沙羅
1830 - 1903年
《埃拉尼的秋日早晨》
款識：藝術家簽名C. Pissarro並紀年1902（右下）
油彩畫布
54.4 x 65.1 公分；21½ x 25½ 英寸
1902年作
Lucien Pissarro, London (the artist’s son; by descent from the artist in 1904)
Stella & Alexander Margulies, London (acquired from the above on 17th October 1941)
Thence by descent to the present owner
Stella & Alexander Margulies, London (acquired from the above on 17th October 1941)
Thence by descent to the present owner
P.L.W., Bootle Times, 29th April 1932, p. 2
H.T., 'Art of Pissarro' in The Yorkshire Post, 6th February 1932, mentioned
Newton, The Rochdale Observer, 29th October 1932
Ludovic Rodo Pissarro & Lionello Venturi, Camille Pissarro. Son art - son œuvre, Paris, 1939, vol. I, no. 1267, catalogued p. 257; vol. II, no. 1267, illustrated pl. 247
Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro: Critical Catalogue of Paintings, Milan, 2005, vol. III, no. 1469, illustrated p. 892
H.T., 'Art of Pissarro' in The Yorkshire Post, 6th February 1932, mentioned
Newton, The Rochdale Observer, 29th October 1932
Ludovic Rodo Pissarro & Lionello Venturi, Camille Pissarro. Son art - son œuvre, Paris, 1939, vol. I, no. 1267, catalogued p. 257; vol. II, no. 1267, illustrated pl. 247
Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro: Critical Catalogue of Paintings, Milan, 2005, vol. III, no. 1469, illustrated p. 892
London, Stafford Gallery, Exhibition of Pictures by Camille Pissarro, 1911, no. 9
(possibly) London, The Doré Galleries, Post-Impressionist and Futurist Exhibition, 1913, no. 2
London, National Gallery; Birmingham, City Museum and Art Gallery; Nottingham, Nottingham Castle Museum and Art Gallery; Stockport, War Memorial Buildings; Sheffield, Mappin Art Gallery; Bootle, Bootle Museum; Leeds, Leeds City Art Gallery; Northampton, Art Gallery (Guildhall Road); Blackpool, Grundy Art Gallery & Rochdale, Rochdale Corporation Art Gallery, Exhibition of Oil Paintings by Camille Pissarro, 1931-32, no. 37 (London), no. 31 (Birmingham), no. 30 (Nottingham), no. 28 (Stockport), no. 26 (Sheffield & Leeds), no. 27, (Bootle), no. 14 (Northampton, Blackpool & Rochdale)
London, Matthiesen Gallery, A Camille Pissarro Exhibition, 1950, no. 35
London, Tate Gallery, Private Views: Works from the collections of twenty Friends of the Tate Gallery, 1963, no. 111
(possibly) London, The Doré Galleries, Post-Impressionist and Futurist Exhibition, 1913, no. 2
London, National Gallery; Birmingham, City Museum and Art Gallery; Nottingham, Nottingham Castle Museum and Art Gallery; Stockport, War Memorial Buildings; Sheffield, Mappin Art Gallery; Bootle, Bootle Museum; Leeds, Leeds City Art Gallery; Northampton, Art Gallery (Guildhall Road); Blackpool, Grundy Art Gallery & Rochdale, Rochdale Corporation Art Gallery, Exhibition of Oil Paintings by Camille Pissarro, 1931-32, no. 37 (London), no. 31 (Birmingham), no. 30 (Nottingham), no. 28 (Stockport), no. 26 (Sheffield & Leeds), no. 27, (Bootle), no. 14 (Northampton, Blackpool & Rochdale)
London, Matthiesen Gallery, A Camille Pissarro Exhibition, 1950, no. 35
London, Tate Gallery, Private Views: Works from the collections of twenty Friends of the Tate Gallery, 1963, no. 111