Modern & Contemporary Evening Auction
Modern & Contemporary Evening Auction
A Vision of Arcadia – An Important English Private Collection
Camille Pissarro
Le Déversoir et l'écluse à Saint-Ouen-l'Aumône
Auction Closed
June 29, 07:06 PM GMT
Estimate
500,000 - 700,000 GBP
Lot Details
Description
A Vision of Arcadia – An Important English Private Collection
Camille Pissarro
1830 - 1903
Le Déversoir et l'écluse à Saint-Ouen-l'Aumône
signed C. Pissarro and dated 1872 (lower left)
oil on canvas
38.3 by 55.6cm., 15⅛ by 21⅞in.
Painted in 1872.
---------------------------------------------------
心遠地自偏：重要英國私人收藏
卡米耶・畢沙羅
1830 - 1903年
《聖烏昂洛莫納的排洪口與水閘》
款識：藝術家簽名 C.Pissarro 並紀年1872（左下）
油彩畫布
38.3 x 55.6 公分；15 ⅛ x 21 ⅞ 英寸
1972年作
Louis Latouche, Paris
Galerie Durand-Ruel, Paris (acquired from the above on 21st June 1872)
Galerie Miethke, Vienna (acquired from the above on 12th January 1912)
Baron Adolf Kohner, Budapest (acquired circa 1919)
Knoedler & Co., New York
Sam Salz, New York (acquired from the above in February 1949)
Antonio Aniante, Paris (acquired from the above in February 1950)
Private Collection, Switzerland (acquired by 1979)
Madelon Foundation, New York (acquired by 1982 and until 1995)
Private Collection, Australia (sold: Sotheby's, New York, 8th November 2001, lot 111)
Purchased at the above sale by the present owner
Ludovic Rodo Pissarro & Lionello Venturi, Camille Pissarro, son art - son œuvre, Paris 1939, vol. I, no. 157, catalogued p. 101; vol. II, no. 157, illustrated pl. 32 (titled Le barrage de Pontoise)
Ludovic Rodo Pissarro & Lionello Venturi, Camille Pissarro, son art - son œuvre, San Fransisco, 1989, vol. I, no. 157, catalogued p. 101; vol. II, no. 157, illustrated pl. 32 (titled Le barrage de Pontoise)
Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, Paris, 2005, vol. III, no. 244, illustrated in colour p. 200
Munich, Moderne Galerie Heinrich Thannhauser, Gemälde und Zeichnungen moderner Meister, 1910, n.n.
Vienna, Galerie Miethke, Französische Meister, 1912, no. 2 (titled Das Wehr)
Budapest, Műcsarnok, First Exhibition of Art Works Taken into Public Ownership, 1919, no. 4
Sydney, Art Gallery of New South Wales (on loan from 1982-94)