Masters of the Woodblock: Important Japanese Prints
Masters of the Woodblock: Important Japanese Prints
Lot Closed
July 21, 01:36 PM GMT
Estimate
8,000 - 12,000 GBP
Lot Details
Description
Katsushika Hokusai (1760-1849)
Poem by Kakinomoto no Hitomaro
Edo period, 19th century
woodblock print, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), signed Saki no Hokusai Manji (Manji, the former Hokusai), censor’s seal kiwame (approved), published by Nishimuraya Yohachi (Eijudo), circa 1835-36
Horizontal oban: 25.1 x 37.3 cm., 9⅞ x 14¾ in.
Fisherman at night struggle as they haul a large dragnet upstream. A plume of flame and smoke echoes their leftwards motion, blowing right to left as it steadily arches over a thatched mountain dwelling in the distance and draws the eye to a small figure reclining on the windowsill. A visual interpretation of a poem on longing attributed to Kakimoto no Hitomaro's (flourished late seventh century), the figure gazing outwards appears to be either a lonely scholar or nobleman, perhaps looking out for his lover. In the poem, Kakimoto no Hitomaro compares the drudging sentiment of passing a night without one's lover to the length of a pheasants tail, perhaps evoked here by the writhing line of fishermen and the long, meandering cloud of smoke.
The poem by Kakimoto no Hitomaro has been translated by Peter MacMillan in One Hundred Poets, One Poem Each: A Treasury of Classical Japanese Verse, (London, 2016), p. 5-6:
The
long
tail
of
the
copper
pheasant
trails,
drags
on
and
on
like
this
long
night
alone
in
the
lonely
mountains,
longing
for
my
love.
Ashibiki no
yamadori no o no
shidario no
naganagashi yo o
hitori kamo nen