Brothers of the Cut Sleeve Qing dynasty, 19th century | 清十九世紀 〈斷袖情緣〉 一冊十二幀 設色絹本

Homosexuality was celebrated among the literati as early as the 17th century but only enjoyed great popularity later between Qianlong and Tongzhi period (Éric Lefebvre, Le Palais du printemps, op. cit., p. 173). The present album, exclusively painted with homoerotic scenes, reflects the broader social trend at the time. 

The paintings indulge in various forms of homosexual joy and love, from voyeurism to group activities involving masters and servants. While similar compositions and symbolism can also be seen in contemporary heterosexual erotica, certain attributes of masculinity are emphasised. For example, studios and scholarly paraphernalia, which symbolise formal education more accessible to men than women, are repeatedly featured throughout the album.