HOTUNG | 何東 The Personal Collection of the late Sir Joseph Hotung | Part II: Evening
HOTUNG | 何東 The Personal Collection of the late Sir Joseph Hotung | Part II: Evening
Édouard Vuillard
La matinée ensoleillée
Auction Closed
December 7, 05:45 PM GMT
Estimate
700,000 - 1,000,000 GBP
Lot Details
Description
Édouard Vuillard
1868 - 1940
La matinée ensoleillée
signed E. Vuillard and dated 1910 (lower right)
distemper on paper laid down on canvas
205 by 143cm., 80¾ by 56¼in.
Painted in 1910.
Galerie Bernheim-Jeune, Paris (acquired from the artist on 27th October 1910)
Burthaul, Brussels (acquired from the above at the Salon Triennal, Brussels on 6th February 1919)
Galerie Burgeat, Paris (acquired by 1930)
Albert & Rosalia Sancholle Henraux, Paris (acquired circa 1931 and until at least 1938)
David David-Weill, Paris (acquired by 1940)
Private Collection (by descent from the above and until at least 1968)
Arthur Tooth & Sons, London
Galerie Schmit, Paris
H. Ishizuka, Tokyo (acquired by 1971 and until 1985)
Thomas Gibson Fine Art, London
Acquired from the above in 1985
Burthaul, Brussels (acquired from the above at the Salon Triennal, Brussels on 6th February 1919)
Galerie Burgeat, Paris (acquired by 1930)
Albert & Rosalia Sancholle Henraux, Paris (acquired circa 1931 and until at least 1938)
David David-Weill, Paris (acquired by 1940)
Private Collection (by descent from the above and until at least 1968)
Arthur Tooth & Sons, London
Galerie Schmit, Paris
H. Ishizuka, Tokyo (acquired by 1971 and until 1985)
Thomas Gibson Fine Art, London
Acquired from the above in 1985
Rene Huyghe, Les Contemporains, Paris, 1939, illustrated in colour pl. 17 (titled Panneau décoratif)
Beaux-Arts, 13th June 1941, no. 23, illustrated p. 1
André Chastel, Vuillard, 1868-1940, Paris, 1946, mentioned p. 90 (titled Le femme en blanc dans un jardin ensoleillé)
Claude Roger-Marx, Vuillard et son temps, Paris, 1946, mentioned pp. 67 & 159
Pierre Francastel, 'Le vingtième siècle, la nouvelle peinture. Les Nabis', in Histoire de la peinture française, la peinture de chevalet du quatorzième au vingtième siècle, Paris & New York, 1955, vol. II, illustrated in colour p. 126 (titled L'été)
Dennis Farr, 'Vuillard's "Matin dans le verger"' in The Burlington Magazine 114, no. 832, July 1972, p. 480
Belinda Thomson, Vuillard, Oxford, 1988, pl. 778, illustrated in colour pp. 97 & 110
Jeanine Warnod, Vuillard, Paris, 1988, illustrated in colour p. 86 (titled Madame Hessel et Denise Mello ou La Matinée Ensoleillée and with incorrect dimensions)
Gloria Groom, Edouard Vuillard: Painter-Decorator. Patrons and Projects, 1892-1912, New Haven, 1993, fig. 321, illustrated in colour p. 203
Antoine Salomon & Guy Cogeval, Vuillard: The Inexhaustible Glance, Critical Catalogue of Paintings and Pastels, Milan, 2003, vol. II, no. IX-156, illustrated in colour p. 1096
Beaux-Arts, 13th June 1941, no. 23, illustrated p. 1
André Chastel, Vuillard, 1868-1940, Paris, 1946, mentioned p. 90 (titled Le femme en blanc dans un jardin ensoleillé)
Claude Roger-Marx, Vuillard et son temps, Paris, 1946, mentioned pp. 67 & 159
Pierre Francastel, 'Le vingtième siècle, la nouvelle peinture. Les Nabis', in Histoire de la peinture française, la peinture de chevalet du quatorzième au vingtième siècle, Paris & New York, 1955, vol. II, illustrated in colour p. 126 (titled L'été)
Dennis Farr, 'Vuillard's "Matin dans le verger"' in The Burlington Magazine 114, no. 832, July 1972, p. 480
Belinda Thomson, Vuillard, Oxford, 1988, pl. 778, illustrated in colour pp. 97 & 110
Jeanine Warnod, Vuillard, Paris, 1988, illustrated in colour p. 86 (titled Madame Hessel et Denise Mello ou La Matinée Ensoleillée and with incorrect dimensions)
Gloria Groom, Edouard Vuillard: Painter-Decorator. Patrons and Projects, 1892-1912, New Haven, 1993, fig. 321, illustrated in colour p. 203
Antoine Salomon & Guy Cogeval, Vuillard: The Inexhaustible Glance, Critical Catalogue of Paintings and Pastels, Milan, 2003, vol. II, no. IX-156, illustrated in colour p. 1096
Brussels, La Libre Esthétique, Catalogue Dixhuitième exposition à Bruxelles du 18 mars au 23 avril 1911, 1911, no. 247
Paris, Galerie Bernheim-Jeune, Vuillard, 1911, no. 9
Brussels, Salon Triennal, 1919
Paris, Musée des Arts Décoratifs, É. Vuillard, 1938, no. 142 (titled Femme en blanc avec un enfant et un chien, dans un jardin ensoleillé and with incorrect dimensions)
Paris, Palais de Tokyo & Salon des Tuileries, XVIIIe exposition. Salon national indépendant. Ve exposition, 1941, no. 799
Paris, Orangeries des Tuileries & Munich, Haus der Kunst, Edouard Vuillard, K.-X. Roussel, 1968, no. 143, illustrated in the catalogue (titled Femme en blanc avec un enfant et un chien, dans un jardin ensoleillé)
Tokyo, Seibu Museum of Art; Kumamoto, Prefectural Museum of Art; Hita, Hita Municipal Museum; Shimonoseki, Daimaru Gallery; Sendai, Sendai City Museum,;Takasaki, Gunma Prefectural Museum of History & Fujinomiya, Fuji Art Museum, Vuillard, 1977-78, no. 35, illustrated in colour in the catalogue (titled Femme en blanc et enfant avec un chien, dans un jardin ensoleillé and with incorrect provenance)
Paris, Galerie Bernheim-Jeune, Vuillard, 1911, no. 9
Brussels, Salon Triennal, 1919
Paris, Musée des Arts Décoratifs, É. Vuillard, 1938, no. 142 (titled Femme en blanc avec un enfant et un chien, dans un jardin ensoleillé and with incorrect dimensions)
Paris, Palais de Tokyo & Salon des Tuileries, XVIIIe exposition. Salon national indépendant. Ve exposition, 1941, no. 799
Paris, Orangeries des Tuileries & Munich, Haus der Kunst, Edouard Vuillard, K.-X. Roussel, 1968, no. 143, illustrated in the catalogue (titled Femme en blanc avec un enfant et un chien, dans un jardin ensoleillé)
Tokyo, Seibu Museum of Art; Kumamoto, Prefectural Museum of Art; Hita, Hita Municipal Museum; Shimonoseki, Daimaru Gallery; Sendai, Sendai City Museum,;Takasaki, Gunma Prefectural Museum of History & Fujinomiya, Fuji Art Museum, Vuillard, 1977-78, no. 35, illustrated in colour in the catalogue (titled Femme en blanc et enfant avec un chien, dans un jardin ensoleillé and with incorrect provenance)