Contemporary Evening Auction
Contemporary Evening Auction
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This lot has been withdrawn
Lot Details
Description
Maurizio Cattelan
b. 1960
Daddy Daddy
polyurethane resin, steel and epoxy paint
Executed in 2008, this work is number 2 from an edition of 3 plus 2 artist's proofs.
34 by 110 by 94 cm. 13⅜ by 43⅜ by 37 in.
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莫瑞吉奧・卡特蘭
1960年生
爸爸 爸爸
漆、鋼及人造樹脂
2008年作
版數
2/3
此作品共3版,並加上2版藝術家自留版
34 x 110 x 94 公分,13⅜ x 43⅜ x 37 英寸
Galerie Perrotin, Paris
Private Collection
Christie's, New York, ONE: A Global Sale of the 20th Century, 10 July 2020, Lot 81
Acquired from the above sale by the present owner
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巴黎,貝浩登
私人收藏
紐約,佳士得,ONE: A Global Sale of the 20th Century,2020年7月10日,拍品編號81
現藏者購自上述拍賣
Roberta Smith, "Museum as Romantic Comedy," The New York Times, 31 October 2008, illustrated in colour (another example illustrated)
Helen Molesworth, "Social Problem" Artforum, Vol. XLVII, no. 7, March 2009, p. 101 (text)
Michele Robecchi, "Maurizio Cattelan" Interview, 22 May 2009 (text)
Exh. Cat., Houston, The Menil Collection, Maurizio Cattelan: Is There Life Before Death?, 2010, pp. 74-75, illustrated in colour (another example illustrated)
Exh. Cat., Philadelphia, Triple Candie, Maurizio Cattelan is Dead, 2012, pp. 123, 125 (another example illustrated)
Martha Buskirk, Ed., Creative Enterprise: Contemporary Art Between Museum and Marketplace, New York 2012, pp. 276-277 (another example illustrated)
Maura Axelrod, Maurizio Cattelan: Be Right Back, 2016 (video; another example featured)
Wilbert Cooper, "Maurizio Cattelan Is One of Art's Greatest Mysteries" VICE, 18 May 2017 (text)
Exh. Cat., New York, Metropolitan Museum of Art, Like Life: Sculpture, Color and the Body, 2018, pp. 14-15, illustrated in colour (another example illustrated)
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Roberta Smith 著,<Museum as Romantic Comedy>,《The New York Times》,2008年10月31號,載彩圖(另一版數)
Helen Molesworth 著,<Social Problem>,《Artforum》 ,第47版,圖7,2009年3月7日,頁101,文本
Michele Robecchi 著,<Maurizio Cattelan>,《Interview》 ,2009年5月22日,文本
休斯頓,The Menil Collection,《Maurizio Cattelan: Is There Life Before Death?》展覽圖錄,2010年,頁74-75,載彩圖(另一版數)
費城,Triple Candie,《Maurizio Cattelan is Dead》,2012年,頁123及125(另一版數)
Martha Buskirk 著,《Creative Enterprise: Contemporary Art Between Museum and Marketplace》(紐約,2012年),頁276-277(另一版數)
Maura Axelrod 著,《Maurizio Cattelan: Be Right Back》,2016年(另一版數展出與視頻)
Wilbert Cooper 著,<Maurizio Cattelan Is One of Art's Greatest Mysteries>,《VICE》,2017年5月18日,文本
紐約,大都會藝術博物館,《Like Life: Sculpture, Color and the Body》展覽圖錄,2018,頁15-15,載彩圖(另一版數)
New York, Solomon R. Guggenheim Museum, theanyspacewhatever, October 2008 - January 2009 (another example exhibited)
New York, Solomon R. Guggenheim Museum, Maurizio Cattelan: All, November 2011 - January 2012, pp. 8, 243, no. 103, illustrated in colour (another example exhibited)
New York, Solomon R. Guggenheim Museum, Storylines, June - September 2015 (another example exhibited)
Woodstock, Blenheim Palace, Victory is Not an Option, September- October 2019, p. 115, illustrated in colour (another example exhibited)
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紐約,所羅門·R·古根海姆博物館,「theanyspacewhatever」,2008年10月至2009年1月 (另一版數)
紐約,所羅門·R·古根海姆博物館,「Maurizio Cattelan: All」,2011年11月至2012年1月,頁8及243,圖103,載彩圖
紐約,所羅門·R·古根海姆博物館,「Storylines」,2015年6月至9月,(另一版數)
伍德斯托克,Blenheim Palace,「Victory is Not an Option」,2019年9月至10月,頁115,載彩圖(另一版數)