Old Masters Evening Sale
Old Masters Evening Sale
The Property of a Private Collector
Jan Davidsz. de Heem
Still life of fruit, including lemons, grapes, pears and cherries, together with a hazelnut, all arranged on a table largely draped with a blue cloth | 《靜物：桌子上的檸檬、葡萄、紅梨、櫻桃及一顆榛子，藍色布覆蓋大半桌面》
Auction Closed
July 7, 06:31 PM GMT
Estimate
200,000 - 300,000 GBP
Lot Details
Description
The Property of a Private Collector
Jan Davidsz. de Heem
Utrecht 1606 - 1683/4 Antwerp
Still life of fruit, including lemons, grapes, pears and cherries, together with a hazelnut, all arranged on a table largely draped with a blue cloth
signed and dated upper left: J. De heem f / Ao. i653 (see catalogue note)
oil on canvas
19.1 x 23.5 cm.; 7½ x 9¼ in.
私人收藏
楊・戴維茨・德・赫姆 1606 - 1684年
《靜物：桌子上的檸檬、葡萄、紅梨、櫻桃及一顆榛子，藍色布覆蓋大半桌面》
款識：藝術家簽名並紀年J. De heem f / Ao. i653（左上，見圖錄說明）
油彩畫布
19.1 x 23.5 公分；7½ x 9¼ 英寸
His sale, Brussels, Le Roy, 2 June 1851, lot 20, for 90 Francs;
Possibly Sir Edward Bacon;
Barnet Lewis, 2 Hamilton Place, London, and Foxbush, Hildenborough, Kent;
His posthumous sale, London, Christie's, 28 February 1930, lot 93 (as dated 1653), for 50 Guineas to Heather;
With Arthur Tooth, London, 1931–33;
Sydney J van den Bergh, Wassenaar, by 1959 until after 1965;
With Edward Speelman, London;
With Herman Shickman, New York, 1968;
John Lowenthal, New York, 1968;
Private collection, New York.
J. Pilz-von Stein, Intentionen der holländischen Stillebenmalerei zwischen 1640 und 1680, Diss., Munich 1965, pp. 110 n. 37, 129, cat. no. 27a;
F.G. Meijer, Jan Davidsz. de Heem 1606–1684, (online) 2016, Part 1, p. 185 reproduced no. A 169), p. 322, (reproduction of original form of signature), Part 2, Catalogue Raisonné, pp. 188–89, no. A 169, reproduced.
Laren, Singermuseum, Twee Nederlandse colecties schilderijen uit de vijftiende tot en met de zeventiende eeuw en een collectie oude aardewerk, 1959, no. 52;
Leiden, Stedelijk Museum de Lakenhal, 17de Eeuwse meesters uit Nederlands particulier bezit: oude meesters uit de collectie de heer en mevrouw Sidney van den Bergh-Bendix, 1965, no. 23;
New York, Herman Shickman, 1968, no. 16, reproduced.