Old Master Drawings
Old Master Drawings
Jean-Honoré Fragonard
A pause during a dance: a Young woman with her hands on her hips
Auction Closed
January 27, 05:29 PM GMT
Estimate
70,000 - 90,000 USD
Lot Details
Description
Jean-Honoré Fragonard
Grasse 1732 - 1806 Paris
A pause during a dance: a Young woman with her hands on her hips
Black chalk
376 by 272 mm; 14 ⅞ by 10 ¾ in
his sale, Paris, Galerie Georges Petit, 12 May 1919, lot 81, reproduced;
Gabriel Cognacq,
his sale, Paris, 14 May 1952, lot 2, reproduced pl. 11.;
with Galerie Cailleux, Paris;
sale, New York, Sotheby's, 27 January 2010, lot 86;
With Jean Luc Baroni, Master Drawings, March- April 2011, no. 14, reproduced
Private Collection
A. Ananoff, L'oeuvre dessinée de J.H. Fragonard, Paris 1961, vol. I, cat. no. 166, reproduced fig. 68;
G. Brey, 'El voluptuoso himno a la vida del pintor Jean-Honoré Fragonard (1732-1806)', in La Voz de Galicia, 21 January 1988
This sheet belongs to a group of chalk figure studies of young women, where the artist's primary interest was in describing the play of light across full silk skirts.1 Although many of Fragonard's best known works of this type (such as the splendid sheet sold in 19982) are executed in red chalk, the less familiar black chalk examples like this have their own distinctive and atmospheric quality. A similar study of a fashionable young woman in black chalk, but with touches of wash in the background, is in the National Gallery of Canada, Ottawa.3 That drawing shows a model seated, pausing as if interrupted whilst tying her garter; she wears a dress almost identical to the one seen in the present sheet, and both drawings must have been executed at about the same time. The shadow around the figure, cleverly drawn with short parallel lines creating different patterns, helps to locate the elegant figure in space.
Fragonard probably began this series of drawings in the mid-1770s and continued past 1780. These finished studies of young women wearing shimmering silk dresses have been avidly collected since the 19th Century. Contrary to opinions popular in the past, the studies do not seem to have been intended as portraits, nor can it be convincingly shown that they portray Marguerite Gérard or Rosalie Fragonard.
In the present example, the model's posture suggests a pause during a dance, which introduces a lively anecdotal element.
We are most grateful to Eunice Williams, who, at the time of the New York sale in 2010 (see Provenance) kindly assisted with the cataloguing of this drawing.
1. See P. Rosenberg, Fragonard, exhib. cat., Paris, Grand Palais, and New York, Metropolitan Museum of Art, 1987-8, pp. 432-6
2. Sale, New York, Sotheby's, 28 January 1998, lot 56
3. Ananoff, op.cit., vol. I, no. 193; E. Williams, Drawings by Fragonard in North American Collections, exhib. cat., Washington, National Gallery of Art, Cambridge, Mass., Fogg Art Museum, and New York, The Frick Collection, 1978-9, no. 56.