Modern & Contemporary Art Evening Sale
Modern & Contemporary Art Evening Sale
Property from a New York Charitable Family Trust
Two Ball 50/50 Tank (Spalding Dr. J Silver Series, Wilson Supershot) | 《半滿水缸,兩個籃球(Spalding Dr. J Silver 系列與 Wilson Supershot)》
Auction Closed
June 29, 04:22 PM GMT
Estimate
2,500,000 - 3,500,000 GBP
Lot Details
Description
Property from a New York Charitable Family Trust
Jeff Koons
b. 1955
Two Ball 50/50 Tank (Spalding Dr. J Silver Series, Wilson Supershot)
glass, steel, distilled water, and two basketballs
159.4 by 93.3 by 33.7 cm. 62 3/4 by 36 3/4 by 13 1/4 in.
Executed in 1985, this work is number 2 from an edition of 2.
紐約慈善家族信託基金收藏
傑夫・昆斯
生於1955年
《半滿水缸,兩個籃球(Spalding Dr. J Silver 系列與 Wilson Supershot)》
玻璃、鋼材、蒸餾水及兩個籃球
159.4 x 93.3 x 33.7 公分;62 ¾ x 36 ¾ x 13 ¼ 英寸
1985年作,1版2件,此作為第2件
Rhona Hoffman Gallery, Chicago
Daniel Weinberg Gallery, Los Angeles
Michael Ovitz, Los Angeles
Acquired from the above by the present owner in 1996
羅娜・霍夫曼畫廊,芝加哥
丹尼爾・溫伯格畫廊,洛杉磯
邁克爾・奧維茲,洛杉磯
現藏家於1996年購自上述藏家
Daniela Salvioni, 'Interview with McCollum and Koons', Flash Art, December 1986 - January 1987, p. 67 (text)
Gary Indiana, 'Another Review of the Whitney', Village Voice, 28 April 1987, p. 87, illustrated
Mary Ann Marger, 'A Glimpse at the State of American Arts', St. Petersburg Times, 7 June 1987, p. E-3 (text)
Jane Addams Allen, 'Chilly Cynicism a Portent of Trouble', Insight Magazine, 15 June 1987, p. 59 (text)
Grace Glueck, 'New Art Trend's Name: 'Neo-Geo'...Maybe', New York Times, 6 July 1987, p. 14 (text)
Tricia Collins and Richard Milazzo, 'Radical Consumption and the New Poverty', New Observations, Issue 51, October 1987, p. 15
Alan G. Artner, 'Market Valued What Jeff Koons' Work Says About the Art World', The Chicago Tribune, 31 July 1988, p. 16, illustrated
Arthur C. Danto, 'Art: The 1989 Whitney Biennial', The Nation, June 1989, p. 790 (text)
Michael Compton, 'Pop Art II - Jeff Koons & Co', Art & Design, July 1989, p. 44, illustrated in color
Silvia Robertazzi, 'Jeff Koons: NY Art Business', 1990, n.p., illustrated (titled incorrectly)
Anon., 'An Evening with Jeff Koons', The Smithsonian 18, no. 7, March 1990 p. 12.
Jenny Attiyeh, 'Artrepreneurs', Culture Concrete, Summer 1991, p. 15, illustrated
Angelika Muthesius, Ed., Jeff Koons, Cologne, 1992, p. 165
Jeff Koons and Robert Rosenblum, The Jeff Koons Handbook, London 1992, p. 156
Frank Motz, Play's the Thing: Critical and Transgressive Practices in Contemporary Art, New York 2001, p. 11, illustrated
Hans Werner Holzwarth, Ed., Jeff Koons, Cologne 2008, pp. 157, illustrated in colour
Michael Archer, One Ball Total Equilibrium Tank, London 2011, p. 22, illustrated in colour
Fondazione Prada, Ca' Corner Della Regina, Milan 2011, p. 99, illustrated in colour (edition 1 of 2)
Anon., Artprice Contemporary Art Market: The Artprice Annual Report 2007/2008, pp. 35 and 137, illustrated in colour another (edition 1 of 2)
Julie Champion and Nicolas Liucci-Goutnikov, Jeff Koons: La Retrospective: The Portfolio of the Exhibition, France 2014, p. 40, illustrated in colour
Michaël Amy, 'A Supreme Trouble-Maker in Crowd-Pleasing', Sculpture 34, no. 2, March 2015, p. 58 (text)
Udo Kittlemann, Sammlung Marx: 40 Werke, Berlin 2019, pp. 110-11 (text)
丹妮艾拉・薩維奧尼,〈專訪麥科勒姆與昆斯〉,《Flash Art》,1986年12月至1987年1月,頁67(內文)
加里・印迪安那,〈再論惠特尼雙年展〉,《村聲》,1987年4月28日,頁87,載圖
瑪麗・安・馬傑,〈美國藝術概論〉,《聖彼得堡時報》,1987年6月7日,頁E-3(內文)
珍・亞當斯・艾倫,〈凶兆——冷漠的憤世嫉俗〉,《Insight Magazine》,1987年6月15日,頁59(內文)
格蕾絲・格盧克,〈為藝術新潮流命名:或許叫...「新幾何」〉,《紐約時報》,1987年7月6日,頁14(內文)
翠莎・柯林斯及理查德・米拉索,〈快速消費與新貧乏〉,《New Observations》,第51期,1987年10月,頁15
亞倫・G・亞特納,〈市場評估:傑夫・昆斯的作品如何反映藝術界現況〉,《芝加哥論壇報》,1988年7月31日,頁16,載圖
亞瑟・C・丹托,〈藝術:1989年惠特尼雙年展〉,《The Nation》,1989年6月,頁790(內文)
邁克爾・康普頓,〈普普藝術II:傑夫・昆斯及其藝術圈子〉,《藝術與設計》,1989年7月,頁44,載彩圖
西維雅・羅博塔茲,〈傑夫・昆斯:紐約藝術市場〉,1990年,無頁數,載圖(作品標題有誤)
佚名,〈夜訪傑夫・昆斯〉,《史密森尼學會雜誌》,第18卷,第7期,1990年3月,頁12
珍妮・阿提葉,〈藝術企業家〉,《Culture Concrete》,1991年夏季刊,頁15,載圖
安格莉卡・穆特修斯(編),《傑夫・昆斯》,科隆,1992年,頁165
傑夫・昆斯及羅伯特・羅森布拉姆,《傑夫・昆斯手冊》,倫敦,1992年,頁156
法蘭克・莫茲,《嬉戲至上:當代藝術中的理論實踐與踰越行為》,紐約,2001年,頁11,載圖
漢斯・維爾納・豪茲瓦斯(編),《傑夫・昆斯》,科隆,2008年,頁157,載彩圖
邁克爾・亞徹,《總共一球,平靜的水箱》,倫敦,2011年,頁22,載彩圖
Prada基金會,《皇后宮》,米蘭,2011年,頁99,載彩圖(版數1/2)
佚名,《當代藝術市場行情年報2007/2008》,頁35及137,載彩圖(版數1/2)
茱莉・查比恩及尼可拉斯・利烏奇・古尼科夫,《傑夫・昆斯回顧展作品集》,法國,2014年,頁40,載彩圖
邁克爾・亞米,〈取悅大眾的搗蛋專家〉,《Sculpture》,第34卷,第2期,2015年3月,頁58(內文)
烏杜・傑特曼,《馬克斯收藏40件作品》,柏林,2019年,頁110-11(內文)
New York, The Whitney Museum of American Art, Whitney Biennial, April – July 1987, p. 70, illustrated (edition number unknown)
New York, City University of New York, Graduate Centre Art Gallery, Play's The Thing. Critical and Transgressive Practices in Contemporary Art, May – July 2001 (the present work)
New York, PaceWildenstein Gallery, Distillation to Complication: 40 Years of Rule Based Art, February – March 2005 (the present work)
New York, Whitney Museum of American Art, Jeff Koons: A Retrospective, June – November 2014 (the present work)
Paris, The Centre Georges Pompidou, Jeff Koons: A Retrospective, December 2014 – April 2015 (edition 1 of 2)
紐約,惠特尼美國藝術博物館,「惠特尼雙年展」,1987年4月至7月,頁70,載圖(版數不詳)
紐約,紐約城市大學,畢業生藝術中心美術館,「嬉戲至上:當代藝術中的理論實踐與踰越行為」,2001年5月至7月(現作)
紐約,佩斯・維登斯坦畫廊,「由簡入繁:邏輯概念藝術40年」,2005年2月至3月(現作)
紐約,惠特尼美國藝術博物館,「傑夫・昆斯回顧展」,2014年6月至11月(現作)
巴黎,龐畢度中心,「傑夫・昆斯回顧展」,2014年12月至2015年4月(版數1/2)