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View full screen - View 1 of Lot 62. Landscape with drugged Birds in the Flower and Underbrush of the Wood.

Property from a Distinguished European Collection

Matthias Withoos

Landscape with drugged Birds in the Flower and Underbrush of the Wood

Auction Closed

May 20, 03:42 PM GMT

Estimate

150,000 - 200,000 USD

Lot Details

Description

Property from a Distinguished European Collection

Matthias Withoos

Amersfoort 1627-1703 Hoorn

Landscape with drugged Birds in the Flower and Underbrush of the Wood


bears a Weenix signature (possibly altered from an original Withoos signature) and dated lower center: 1660

oil on canvas

canvas: 57 ¾ by 61 in.; 146.7 by 154.9 cm. 

framed: 68 ¼ by 71 ½ in.; 173.4 by 181.6 cm.  

Anonymous sale, New York, Sotheby's, 22 May 1997, lot 160;
There acquired by the present collector. 
New York, Paul Kasmin Gallery & Sotheby's, Naturalia: Views from the Underbush, 18 January- 25 February 2017. 

This is one of the rare large-format underbrush, or sottobosco works to emerge from the Netherlandish tradition of painting. Mathias Withoos was a specialist in the genre and a pupil of Jacob van Campen (1595-1657) and then Otto Marseus van Schrieck (1619/20-1678) to whom his style remained much indebted. Withoos was made a master of the Amsfoort guild in 1647. In the following year he travelled to Italy with Schrieck and Willem van Aelst (1627-1687). While in Rome he became a member of the Schildersbent and attracted important patrons, including Cardinal Leopoldo de' Medici amongst others.


In a letter dated 12 September 1996, Dr. Fred Meijer, noted that this is a "characteristic and impressive work" by Withoos. He further noted that he believes the Weenix signature was probably altered from a genuine Withoos signature, but that the date of 1660 is likely to be authentic. 


It has been suggested that the erratic behavior of the birds is a result of their eating berries that have been drugged, possibly a technique of bird catching. The exacting detail of the underbrush and surrounding foliage are a hallmark of the sottobosco tradition, but its impressive size sets this work apart from many others in this genre.