Furniture, Clocks & Works of Art
Furniture, Clocks & Works of Art
Property of a Gentleman
Lot Closed
May 18, 03:11 PM GMT
Estimate
4,000 - 6,000 GBP
Lot Details
Description
Property of a Gentleman
Princess Yekaterina Romanovna Vorontsova-Dashkova, Tapestry Portrait, Imperial Russian Tapestry Manufactory, St Petersburg
circa 1759-1764, after Pietro Antonio Rotari (1707-1762), probably woven by Jean Baptiste Rondet (fl.1740-1764)
woven with silk, wool and metal thread detailing, a dexter half-length portrait of Princess Ekaterina Romanovna Vorontsova-Dashkova, wearing a fur-trimmed blue dress and wearing the insignia of The Order of St Catherine, conferred upon the Princess Yekaterina on 28 June 1762, mounted within a glazed, carved gilt-gesso frame, top edge inscribed with PRINCESS DASHKOV (1744-1810). After ROTARI, lower edge with inscription RUSSIAN GOBELINS. Burlington Mag: June 1919
framed: 79cm. high, 68.5cm. wide; 2ft. 7in., 2ft. 3in.
tapestry (visible): 57cm. high, 47cm. wide; 1ft. 10 3/8 in., 1ft. 6 1/2 in.
Yekaterina Romanovna Vorontsova-Dashkova (1743-1810), was daughter of Count Roman Vorontsov and she married Prince Mikhail Dashkov (although he died shortly after their marriage). The princess was a close friend to the Empress Catherine the Great and involved in the coup d'etat which resulted in Catherine being placed on the throne. Yekaterina was a prominent figure in the Russian Enlightenment. She was the first women in Europe of hold government office and was the head of the national Academy of Sciences and helped found the Russian Academy.
For a comparable tapestry portrait of Countess Elizaveta Romanovna Vorontsova (1739-1792), Mistress to Tsar Peter III and Lady in Waiting to Catherine (later Empress), woven by Rondet, signed fait par/ Rondet Mt a /Petersbourg,and dated 1762, Saint Petersburg, after a painting by an unknown artist that was formerly owned by Countess E. Vorontsova-Dashkova, see Edith Standen, European Post Medieval Tapestries and Related Hangings in The Metropolitan Museum of Art, 1985, Vol. II, pp.803-805, No. 150.
The similarities between the signed tapestry portrait and the tapestry offered here, indicate that the weaver was likely to have been the same. Jean Baptiste Rondet was an haute-lisse weaver at the Gobelins in Paris in 1752, becoming an officer de tetes, in 1756, which was the year he left France. In 1759 he was in St Petersburg and became master tapestry weaver at the Imperial Manufactory, until his death in 1764.