European & British Art
European & British Art
Property of a Distinguished Collector
One Touch of Nature Makes the Whole World Kin
Lot Closed
December 15, 03:34 PM GMT
Estimate
40,000 - 60,000 GBP
Lot Details
Description
Property of a Distinguished Collector
Thomas P. Hall
British
active 1837-1867
One Touch of Nature Makes the Whole World Kin
signed with monogram and dated 1867 lower left
oil on canvas
Unframed: 76 by 63.5cm., 30 by 25in.
Framed: 97.5 by 85cm., 38½ by 33½in.
N.R. Omell, London
Sale: Sotheby's, London, 22 March 2000, lot 298
Christopher Wood Gallery, London
Private collection (sale: Sotheby's, London, 19 November 2013, lot 18)
Purchased at the above sale by the present owner
This charming painting shows the view from the interior of an art dealer's shop, looking out through the shop window to the street outside. On display are two paintings in gilt frames as well as various unframed prints, placed against the frame of the window and seen in reverse image as the light of the sky shines through the paper. In the street is assembled a group of wayfarers of different types and stations. On the left a man holds a monocle to his eye to study the works on display, and standing beside him is a boy in a deerstalker's hat. Less privileged perhaps are the two children in the centre, one of them holding a broom and therefore likely to be intended as a crossing sweeper. To the right is a maid servant with a jug of milk, and behind a mariner, wearing a sou'wester hat and smoking a pipe. In the background is an omnibus bound for Bank in the City of London.
No particular moral seems to be intended in the painting, beyond that of representing a cross-section of urban life in the mid-Victorian period. It may well be that Thomas Hall had seen William MacDuff's delightful painting Shaftesbury, or Lost and Found (private collection), shown at the 1863 Royal Academy, in which a shoeblack looks at the display of engravings in the window of the print publishers Henry Graves & Co.
The title is taken from a line in Shakespeare's 'Triolus and Cressida', and implies that the audience gathered outside the shop are looking at a landscape which we are not able to see.