Man Ray

Untitled (Yoruba Mother and Child Figure with Lidded Bowl)

Lot Closed

October 5, 02:47 PM GMT

Estimate

5,000 - 7,000 USD

Lot Details

Description

Man Ray

1890 - 1976

Untitled (Yoruba Mother and Child Figure with Lidded Bowl)

gelatin silver print, the photographer's '31bis, Rue Campagne Première, Paris-XIVe' (Manford M6) stamp and with annotation 'Coll. Kjermeier Copenhagen' in pencil on the reverse, framed, an Øregaard Museum exhibition label on the reverse, circa 1933

image: 9 by 6 ⅞ in. (22.9 by 17.5 cm.)

frame: 14 ¼ by 11 ¾ in. (36.2 by 29.8 cm.)

Wendy A. Grossman, Man Ray, African Art, and the Modernist Lens (Washington, D. C., 2009), pl. 54 (this print)

Man Ray – Vision and Thought (Copenhagen: Øregaard Museum, 2013), p. 119 (this print)

The Phillips Collection, Man Ray, African Art, and the Modernist Lens, October 2009 - January 2010, traveling thereafter to the University of New Mexico Art Museum; University of Virginia Museum of Art; and the University of British Columbia, Museum of Anthropology

Hellerup, Denmark, Øregaard Museum, Man Ray: Vision and Thought, September 2012 - January 2013

Danish writer and collector Carl Kjersmeier and his wife, Amalie, amassed a large collection of African cultural artifacts beginning in 1918. Their home in Copenhagen became a gallery devoted to the display of these objects. They welcomed visitors from all over the world to see their collection and to participate in lively discussions on artistic and intellectual subjects. According to scholar Wendy Grossman, Man Ray and a Danish photographer named Vagn Guldbrandsen were commissioned by Kjersmeier to photograph his collection. Photographs taken by Man Ray included in the four-volume set of books chronicling Kjersmeier's collection were originally misattributed to Guldbrandsen. The photographs he took of the sculptures carefully and skillfully use lighting effects to create shadows, heightening the drama of the composition.