Arts of the Islamic World & India including Fine Rugs and Carpets

Arts of the Islamic World & India including Fine Rugs and Carpets

View full screen - View 1 of Lot 275. A Tekke Ensi, West Turkestan, second half 19th century.

Property from the Collection of the late Naim Attallah CBE (1931-2021)

A Tekke Ensi, West Turkestan, second half 19th century

Auction Closed

October 27, 03:41 PM GMT

Estimate

700 - 1,200 GBP

Lot Details

Description

the madder field with rows of bird head trees supported by unusual double bands, gul central crossband, unusual gul elem, patches, outer side and upper borders removed and sides rebound,


approximately 132 by 99cm.

Naim Attallah CBE (1931 – 1921), was born in the British Mandate of Palestine, and came to London in 1949, initially to study engineering, but in his long career moved from currency dealer to company director, racehorse-owner, film and theatre impresario (producing ‘The Slipper and the Rose in 1976), parfumier and chocolate-maker, and (for which he is perhaps best remembered) publisher and magazine proprietor, and as described in the Guardian in 2000 a "legendary adorer of beautiful women". In the early 1970’s he met John Asprey, and became joint managing director and ultimately chief executive of the eponymous luxury goods group, vastly expanding its turnover. He also acquired Quartet Books (1976), The Women’s Press (1977) and several magazines, including the Wire, the Oldie and the Literary Review; he was appointed Commander of the Order of the British Empire (CBE) in the 2017 New Year Honours List for services to literature and the arts. 

Amongst Attallah’s many collecting passions, rugs was one of the most dear to him, covering the walls, beds and floors of his Mayfair apartment. His son recollects visits with his father to see Jean Lefevre, in Knightsbridge  during the early 1970’s, remembering them as very good friends, and the source for most of the pieces his father bought. Attallah was known for wearing vivid coloured odd socks and iridescent silk linings to his jackets; his son recalls it was the love of colour in the carpets that his father had most enjoyed about living with them, over the intervening four decades since his collection was formed.