TADDEO DI BARTOLO | SAINTS CATHERINE OF ALEXANDRIA, LAWRENCE, DOMINIC, AND JULIAN

Chiesa di San Paolo all'Orto, Pisa;

Carlo Lasinio (1759-1838), Pisa ;

From whom acquired by Dawson Turner, Esq., F.R.S., Great Yarmouth, 18 November 1825;

His sale, London, Christie's, 14 May 1852, lots 1-2, 2 gns each, to Mr. Anthony;

H. Clark, London, by 1931;

Count Alessandro Contini Bonacossi, Florence;

From whom acquired by Mr. and Mrs. Simon Guggenheim, New York, 1933;

Thence by bequest to the Denver Art Museum, 1953;

By whom sold ("Property from the Denver Art Museum, Sold to Benefit Acquisition Funds"), New York, Christie's, 29 January 1999, lot 61.

S. Symeonides, Taddeo di Bartolo, Siena 1965, pp. 204-205, reproduced plate 10b (as a good workshop assistant of Taddeo di Bartolo);

B. Berenson, Italian Pictures of the Renaissance: Central Italian and North Italian Schools, London 1968, vol. I, p. 420 (as possibly from the Grenoble polyptych of 1395);

J. Rowlands, "Review: Taddeo di Bartolo," in The Burlington Magazine, vol. 110, no. 786, September 1968, p. 529;

Denver Museum of Art, Guide to the Collections, p. 27, cat. no. E-24.

B. Frederickson and F. Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North America Public Collections, Cambridge 1972, p. 194;

M. Chiarini, Tableaux italiens: catalogue raisonné de la collection de peinture italienne XIVe-XIXe siècle, Grenoble 1988, p. 104;

G.E. Solberg, Taddeo di Bartolo: His Life and Work, Ph.D. diss., New York 1991, pp. 98, 128, 375-377, 430, reproduced fig. 29;

D. Levi, "Carlo Lasinio, Curator, Collector, and Dealer," in The Burlington Magazine, vol. 135, no. 1079, February 1993, pp. 140-142, and under notes 4 and 7;

G. Amato, "Alcuni chiarimenti sull'attività giovanile di Taddeo di Bartolo e il caso del polittico Casassidi Pisa", in Prospettiva, no. 134-135, April-July 2009, pp. 110, 112, 118, under note 51, reproduced figs. 14-17, 25;

G. Solberg, Taddeo di Bartolo, exhibition catalogue, Milan 2020, p. 289, reproduced in fig. R3.