PAUL SIGNAC | LE PIN DE BERTAUD

Henry van de Velde, Antwerp

Dr. Eberhard Freiherr von Bodenhausen-Degener (acquired through the above from the artist's studio in April 1901)

Hans-Wilke Freiherr von Bodenhausen, Degenerhausen (by descent from the above in 1918)

Reinild Freiin von Bodenhausen, Berlin (by descent from the above in 1937)

Dr. Alfred Keichel, Dusseldorf (gift of Anga Freiin von Bodenhausen in 1946)

Hermann & Carola Schulte, Berlin (acquired by 1946)

Private Collection, Dusseldorf (by descent from the above and sold: Sotheby’s, London, December 1, 1987, lot 23)

Peter von Jena, Berlin (and sold: Sotheby’s, London, December 1, 1987, lot 23)

Alain Delon, Paris (acquired at the above sale and sold: Christie’s, New York, May 12, 1993, lot 23)

Private Collection (acquired at the above sale and sold: Sotheby's, New York, May 16, 2017, lot 9)

Acquired at the above sale 

Pierre Daix, “Signac à Saint-Tropez” in Le Quotidien de Paris, Paris, July 16, 1992, illustrated p. 18

Jean-Marie Tasset, “Signac à point” in Le Figaro, Paris, July 21, 1992, illustrated p. 19

Alain Delon, “Voilà mon musée imaginaire” in Le Figaro Magazine, Paris, June 30, 1995, illustrated in color p. 58

Marina Bocquillon-Ferretti, “Paul Signac au temps d’Harmonie 1895-1913” in Signac et la liberation de la couleur (exhibition catalogue), Westphalian State Museum of Art and Cultural History, Münster, 1996, pp. 66-67

Françoise Cachin, Signac, Catalogue raisonné de l’oeuvre peint, Paris, 2000, no. 354, illustrated p. 246

Felix Billeter, "Eberhard von Bodenhausen als Sammler Neoimpressionistischler Malerei" in Zwischen Kunstgeschichte und Industriemanagement, Berlin, 2001, no. 25, illustrated p. 134