Patek Philippe

Sotheby's Geneva, 1993, lot 197

So much is known about the reference 1518 already and a torrent of information regarding its importance, both historical and horological, is available. It does, however, always bear repeating as this reference represents perhaps the most significant milestone in modern watchmaking history. The reference, simply on the merits of its complications, demands huge appreciation but, what is more, taking into consideration the time at which such a watch was produced (the midst of WWII) and how such a watch was manufactured, one cannot remain anything other than awe struck.

The reference forces the observer to ask a fascinating question: how a watch so complicated can be so astoundingly beautiful? The key to this? Simplicity. While seemingly counter intuitive creating something simple is an incredibly complex feat. It is one, nonetheless, that Patek seem to have perfected and few things are testament to this as much as the reference above.

The case, of which approximately 215 were made in yellow gold, manufactured by Emile Vichet, epitomizes minimalism. Square pushers adorn the band flanking prominently that also features its original oversized crown. Simple lugs and a solid service snap-on case back is combined with thin bezel which allows the dial clarity and dominance. The case proportions remain correct, with gold hallmark visible under the top left lug, and with tight pin holes.

This 1518 is in well preserved condition. The dial boasts its long Patek Philippe signature, a feature of the earlier 1518’s. At some point in its history it has received a gentle cleaning, but the comma between “Patek and Philippe”, and "è" above "Genève" are still visible, both that can be susceptible to over aggressing maintenance.

Accompanied by a Patek Philippe Extract from the Archives confirming production of the present watch with silvered dial and raised gold hour markers in 1947 and its subsequent sale on 24 February 1948.