Art Impressionniste et Moderne
Art Impressionniste et Moderne
A GROUP OF SURREALIST WORKS FROM A PRIVATE FRENCH COLLECTION, LOTS 1-6 | ENSEMBLE D'ŒUVRES SURREALISTES PROVENANT D'UNE COLLECTION PARTICULIERE FRANCAISE, LOTS 1-6
This lot has been withdrawn
Lot Details
Description
A GROUP OF SURREALIST WORKS FROM A PRIVATE FRENCH COLLECTION, LOTS 1-6
PIERRE ROY
1880 - 1950
PHYSIQUE AMUSANTE
signed P. Roy (towards lower centre)
oil on canvas
92 x 65 cm; 36¼ x 25½ in.
Painted in 1929.
Anne-Françoise Petit-Roy and Pierre-Francois Prouteau-Roy, heirs of Pierre Roy's work, have confirmed the authenticity of this work.
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ENSEMBLE D'ŒUVRES SURREALISTES PROVENANT D'UNE COLLECTION PARTICULIERE FRANCAISE, LOTS 1-6
PIERRE ROY
1880 - 1950
PHYSIQUE AMUSANTE
signé P. Roy (en bas vers le centre)
huile sur toile
92 x 65 cm; 36¼ x 25½ in.
Anne-Françoise Petit-Roy et Pierre-Francois Prouteau-Roy, ayants droits de l'œuvre de Pierre Roy, ont confirmé l‘authenticité de cette œuvre.
Mrs. Charles Pomaret, Paris
Sale: Christie's, New York, May 12, 1988, lot 289
Private collection, France
Thence by descent to the present owner
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Mme Charles Pomaret, Paris
Vente: Christie's, New York, 12 mai 1988, lot 289
Collection particulière, France
Puis par descendance au propriétaire actuel
Waldemar George, "Pierre Roy and Objects that Speak", in Formes, May 1930, no. 5, illustrated fig. 3 np.
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Waldemar George, "Pierre Roy and Objects that Speak", in Formes, Mai 1930, no. 5, reproduit fig. 3 np.
Venice, XVIIa La Biennale Esposizione Internazionale d'Arte, 1930, no. 24 (titled Gabinetto di un naturalista)
New York, Brummer Gallery, Pierre Roy, 1930, no. 19
New York, Solomon R. Guggenheim Museum, Surrealism: Two Private Eyes, The Nesuhi Ertegun & Daniel Filipacchi Collections, 1999, no. 213, illustrated in the catalogue p. 283
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Venise, XVIIa La Biennale Esposizione Internazionale d'Arte, 1930, no. 24 (sous le titre Gabinetto di un naturalista)
New York, Brummer Gallery, Pierre Roy, 1930, no. 19
New York, Solomon R. Guggenheim Museum, Surrealism: Two Private Eyes, The Nesuhi Ertegun & Daniel Filipacchi Collections, 1999, no. 213, reproduit dans le catalogue p. 283