Art Impressionniste et Moderne

Art Impressionniste et Moderne

View full screen - View 1 of Lot 1. PIERRE ROY | PHYSIQUE AMUSANTE.

A GROUP OF SURREALIST WORKS FROM A PRIVATE FRENCH COLLECTION, LOTS 1-6 | ENSEMBLE D'ŒUVRES SURREALISTES PROVENANT D'UNE COLLECTION PARTICULIERE FRANCAISE, LOTS 1-6

PIERRE ROY | PHYSIQUE AMUSANTE

This lot has been withdrawn

Lot Details

Description

A GROUP OF SURREALIST WORKS FROM A PRIVATE FRENCH COLLECTION, LOTS 1-6

PIERRE ROY

1880 - 1950

PHYSIQUE AMUSANTE


signed P. Roy (towards lower centre)

oil on canvas

92 x 65 cm; 36¼ x 25½ in.

Painted in 1929.

Anne-Françoise Petit-Roy and Pierre-Francois Prouteau-Roy, heirs of Pierre Roy's work, have confirmed the authenticity of this work.

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ENSEMBLE D'ŒUVRES SURREALISTES PROVENANT D'UNE COLLECTION PARTICULIERE FRANCAISE, LOTS 1-6

PIERRE ROY

1880 - 1950

PHYSIQUE AMUSANTE


signé P. Roy (en bas vers le centre)

huile sur toile

92 x 65 cm; 36¼ x 25½ in.

Anne-Françoise Petit-Roy et Pierre-Francois Prouteau-Roy, ayants droits de l'œuvre de Pierre Roy, ont confirmé l‘authenticité de cette œuvre.

This lot has been withdrawn from the sale.

Mrs. Charles Pomaret, Paris

Sale: Christie's, New York, May 12, 1988, lot 289

Private collection, France

Thence by descent to the present owner

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Mme Charles Pomaret, Paris

Vente: Christie's, New York, 12 mai 1988, lot 289

Collection particulière, France

Puis par descendance au propriétaire actuel


Waldemar George, "Pierre Roy and Objects that Speak", in Formes, May 1930, no. 5, illustrated fig. 3 np.

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Waldemar George, "Pierre Roy and Objects that Speak", in Formes, Mai 1930, no. 5, reproduit fig. 3 np.

Venice, XVIIa La Biennale Esposizione Internazionale d'Arte, 1930, no. 24 (titled Gabinetto di un naturalista)

New York, Brummer Gallery, Pierre Roy, 1930, no. 19

New York, Solomon R. Guggenheim Museum, Surrealism: Two Private Eyes, The Nesuhi Ertegun & Daniel Filipacchi Collections, 1999, no. 213, illustrated in the catalogue p. 283

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Venise, XVIIa La Biennale Esposizione Internazionale d'Arte, 1930, no. 24 (sous le titre Gabinetto di un naturalista)

New York, Brummer Gallery, Pierre Roy, 1930, no. 19

New York, Solomon R. Guggenheim Museum, Surrealism: Two Private Eyes, The Nesuhi Ertegun & Daniel Filipacchi Collections, 1999, no. 213, reproduit dans le catalogue p. 283