19th Century European Art
19th Century European Art
Auction Closed
January 31, 04:23 PM GMT
Estimate
40,000 - 60,000 USD
Lot Details
Description
ANTONIO MANCINI
Italian
1852 - 1930
SUONATRICE DI MANDOLA, LIUTISTA
signed A. Mancini, inscribed München and dated 1910 (lower right)
oil on canvas
53 by 53 in.
135 by 135 cm
Otto Eugenio Messinger, Munich (commissioned directly from the artist)
Cassani, Milan (by 1961)
Bertolotto, Turin
Leandro Ozzola, L'Arte contemporanea alla Esposizione di Roma del 1911, Rome, 1911, p. 22
Leandro Ozzola, "Artisti contemporanei: Antonio Mancini," Emporium, June 1911, vol. XXXIII, no. 198, p. 422, illustrated
Vittorio Pica, L'arte mondiale a Roma nel 1911, Bergamo, 1913, p. 374, illustrated
Enrico Giannelli, Artisti napoletani viventi. Pittori, scultori, incisori, architetti, Naples, 1916, p. 310
Cronache, "La Mostra italiana di Zurigo," Emporium, October 1918, vol. XLVIII, p. 216
Guglielmo Gatti, Pittori italiani dall'800 a oggi, Rome, 1925, p. 114
Andrea Corna, Dizionario della Storia dell'Arte in Italia, Piacenza, 1930, vol. II, p. 620
Agostino Mario Comanducci, I pittori italiani dell'Ottocento, Milan, 1934, p. 389
Michele Biancale, Antonio Mancini, la vita, Roma, 1852-1930, Rome, 1952, p. 133-34 (as Liutista)
Antonio Schettini, Mancini, Naples, 1953, p. 225, illustrated pl. LI
M. Borghi, Da Mancini a Scipione. Galleria di artisti italiani, Rome, 1960, p. 47
Michele Biancale, Arte italiana. Ottocento e Novecento, Rome, 1961, vol. 1, pp. 149, 152, illustrated
Dario Cecchi, Antonio Mancini, Turin, 1966, pp. 237-38, 248
Antonio Schettini, La pittura napoletana dell'Ottocento, Naples, 1973, vol. 3, p. 171
Don Riccardo, Artecatalogo dell'Ottocento. "Vesuvio" dei pittori napoletani, Rome, 1973, vol. 2, p. 294
Hanna Pennock, Antonio Mancini en zijn relatie met Nederland, PhD dissertation, Rijksuniversiteit Utrecht, 1985, p. 109, no. 58
Manuel Carrera, "Antonio Mancini in Inghliterra. Il rapporto con John Singer Sargent," Storia dell'arte, Florence, September-December 2012, p. 168
Cinzia Virno, Antonio Mancini, Catalogo ragionato dell'opera, Rome, 2019, vol. I, p. 377, no. 655, illustrated
Rome, Esposizione Internazionale, 1911, no. 89 (as Suonatrice)
Amsterdam, Stedelijk Museum, Internationale Tentoonstelling van Hedendaagsche Kunst, 1912, no. 599 (as Jonge italiaanse in me giapponese con vaso)
Zurich, Kunsthaus, 1918
Madrid, Salòn de Otoño, 1922, no. 404 (as Mimosa)
Antonio Mancini’s Suonatrice di mandola, Liutista was commissioned by the German Antiquarian Otto Messinger and painted in Munich in 1909-1910, while the artist was a guest at his home. Mancini was commissioned to produce a series of works reflective of Messinger’s taste for the fine and decorative arts, which ranged from Old Master paintings to European furniture, Italian textiles and musical instruments—and in the present work the Renaissance-style chair, mandolin and Japanese vase. In total there were five works in this series, all of which were square in format and featured a seated female model in a decorative interior. Mancini also completed a full-length portrait of his patron, which features a similar dark background and inclusion of an antique vase (1909, Galleria Nazionale d’Arte Moderna e Contemporanea, Rome, fig. 1)
Suonatrice di mandola, Liutista demonstrates Mancini’s study of seventeenth century portraiture and genre scenes by artists such as Diego Velazquez, Frans Hals and Rembrandt in its dark color palette and strong contrast of light and dark. The present work also showcases Mancini’s more modern and innovative use of thick impasto, dominated by black, white and red hues, which gives the surface dynamism and emphasizes the textures and patterns of the fabrics and decorative objects on display.