Old Master Sculpture & Works of Art

Old Master Sculpture & Works of Art

View full screen - View 1 of Lot 65. ATTRIBUTED TO FRANCESCO FANELLI (CIRCA 1590-1653), ITALIAN, FIRST HALF 17TH CENTURY | REARING HORSE.

ATTRIBUTED TO FRANCESCO FANELLI (CIRCA 1590-1653), ITALIAN, FIRST HALF 17TH CENTURY | REARING HORSE

Auction Closed

July 2, 02:29 PM GMT

Estimate

20,000 - 30,000 GBP

Lot Details

Description

ATTRIBUTED TO FRANCESCO FANELLI (CIRCA 1590-1653)

ITALIAN, FIRST HALF 17TH CENTURY

REARING HORSE


bronze, on a mottled marble base

horse: 19 by 18cm., 7½ by 7⅛in.

base: 7.5 by 28cm., 3 by 11in.

Francesco Fanelli's equestrian bronzes were highly celebrated in seventeenth-century England. George Vertue wrote that 'he had a particular genius for these works and was much esteemd in K Charles I time – and afterwards.' The present Rearing Horse is very close to the beast seen in a rare version of his St George and the Dragon, known from a cast formerly in the Emma Budge collection, sold in her forced sale in Hamburg, 27-29 September 1937, lot 122. The present horse is essentially the same, but lacks the rider's cloth seat and reigns, and has a slightly different tail. There are also a number of technical differences: including the presence of a chased (stippled) surface and punched eyes. Another cast is in a private collection, again with slight variances, including a straighter tail and hollowed hooves.


Like the Budge cast, the present bronze may have once formed part of a St George group, though the absence of riding accoutrements indicates that it was a stand-alone statuette. Fanelli's St George and the Dragon exists in two principal variants which were identified by John Pope-Hennessy. The first features the sculptor's Leaping Horse and shows St George leaning away and simultaneously lancing the dragon. Its exemplar, formerly in the collections of the Duke of Portland, is believed to have been purchased by William Cavendish, Duke of Newcastle (1592-1676). The second variant incorporates another Rearing Horse, and shows St George leaning forward, grasping the reigns of the horse with one hand, while lancing the dragon with the other. A cast is in the Holburne Museum, Bath. The Budge bronze represents a third and possibly later variant which relates to the second.


RELATED LITERATURE

J. Pope-Hennessy, 'Some Bronze Statuettes by Francesco Fanelli,' in Essays on Italian Sculpture, London and New York, 1968, pp. 166-171; S. Stock, 'Fanelli, Francesco (b. 1577),' in Oxford Dictionary of National Biography, Oxford, 2004, online edn, Jan 2008; B. Van Beneden and N. de Poorter, Royalist Refugees. William and Margaret Cavendish in the Rubens House 1648-1660, exh. cat. Rubenshuis, Antwerp, 2006, pp. 198-199, no. 59