19th Century European Art
19th Century European Art
Property of a Private Collector, Palm Beach
Auction Closed
May 22, 03:43 PM GMT
Estimate
80,000 - 120,000 USD
Lot Details
Description
HAROLD KNIGHT R.A., R.O.I., R.P.
British
1874 - 1961
A VILLAGE WEDDING
oil on canvas
64¼ by 76¼ in.
163.2 by 193.7 cm
We would like to thank R. John Croft F.C.A., the great nephew of Dame Laura Knight R.A., R.W.S., for his contributions to the catalogue entry for this work, which will be included in his forthcoming catalogue raisonné of Harold Knight R.A., R.O.I, R.P.
Caroline Fox, Painting in Newlyn, 1900-1930, Penzance, Cornwall, 1985, p. 120, illustrated
Architectural Digest, New York, May 1987, p. 123, illustrated
Newlyn, Newlyn Art Club, March 25, 1908
London, Royal Academy, 1908, no. 513
London, Royal Academy, 1962, no. 244
Harold Knight studied at the Académie Julian in Paris under Jean Paul Laurens and Benjamin Constant. In 1897, he trained at the Nottingham School of Art, where he met Laura Johnson (the future Dame Laura Knight), one of the most accomplished female painters of her age. The two married in 1903 and later became the first husband and wife Academicians in the history of the Royal Academy (Laura admitted in 1936, and Harold in 1937). In 1907, Laura and Harold settled in Cornwall, where they were central to the artistic communities in Lamorna Cove and Newlyn.
A Village Wedding was Knight’s first painting of Newlyn, where the work was first exhibited in 1908. Leaving St. Peter’s Church in Newlyn, the confetti-sprinkled bride and groom are likely from local fishing families. According to their friend Norman Garstin, the move to Cornwall from Staithes, in Yorkshire, precipitated in the work of both husband and wife "an utter change in both their outlook and method: they at once plunged into a riot of brilliant sunshine of opulent color and sensuous gaiety," which is evident in the brightly colored palette of the present work (as quoted in Caroline Fox, Dame Laura Knight, Oxford, 1988, p. 28).