Mohamed Melehi

Untitled

silkscreen print on paper

80 by 57 cm. 31 1/2 by 22 1/2 in.

Executed in 1970, this work is number 47 of an edition of 50.

Lawrie Shabibi, Dubai

In the 1970s, Mohamed Melehi developed his iconic “flame” motif through a series of vibrant silkscreen prints. These works are variation on his “waves”, and used first in protest art that was made in support of Palestine. Characterized by undulating, wave-like forms that evoke both natural elements and cultural symbols. Melehi’s “flame” motif is a stylized representation that merges traditional Islamic art influences with modern abstraction, reflecting his commitment to creating a visual language that resonates with Morocco’s postcolonial identity.

The present work features dynamic, flowing lines in bold colours, capturing a sense of movement and energy. This piece exemplifies Melehi’s ability to blend geometric precision with organic forms, resulting in compositions that are both structured and fluid. His use of silkscreen printing during this period allowed for the exploration of vibrant colour palettes and the production of accessible art, aligning with his belief in democratizing art and making it available beyond traditional gallery spaces.

Melehi’s work from this era not only contributes to the aesthetic discourse of modern art but also serves as a cultural bridge, connecting Morocco’s rich artistic heritage with contemporary practices. His “flame” motifs have become emblematic of his style, symbolizing a fusion of past and present, and continue to influence artists within and beyond the Arab world.